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Well I guess if you ever wanted to watch a movie where the cast and crew literally get eaten alive by the stars of the movie, well this is that movie. Its horrifying and terrible and likely contributed to the end of the world. I say that without exaggeration.

What Roar is goes beyond anything that Tommy Wiseau, Neil Breen, and M. Knight Shamalyan had ever envisioned for a vanity-piece-gone-awry. There is volumes of material that are all worth reading about for this film, so I'll briefly sum up what you should know. Basically, Tippi Hendren and her husband Noel Marshall hatched an idea to make a film about living in peace with animals that are dangerous but misunderstood. Its about harmony with nature. So what they did was bought a large compound in the California desert and then brought in 150 big cats (and 1 elephant) to live with their family and then shoot a film with the lions, tigers, panthers and jaguars as the stars. Mind you this is all done with Noel and Tippi acting as head trainers, veterinarians and Robert Muldoons of the compound - all without a bit of experience or education on how to do so. So they built a set, hired Jan De Bont as cinematographer and start filming himself and his family getting eaten by their pets. This is hubris to the maximum.

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Get ready to meet the most righteous dudes of movie villians and the most disappearing of protagonists. John Rad gives us one of the biggest and most glorious of trainwrecks in film. Black Pepper is coming your way, buster!

What you've got here is one of those "hey we found this movie, does anyone wanna finish it?" Filmed in the mid-80s this wasn't released until 2005 with an assist from Drafthouse. Much along the lines of Miami Connection its a masterpiece in bad filmmaking by a nice person and cost everything for failure. Sadly the director, John Rad (or Jahangir Salehi by his true name) had this movie sit on a shelf for 20 years and not have it released to the right audience until it was far too late. John died before this movie could do so. But what a gift to leave the world. Thanks John!

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Its a straight-up western, but because its from 1987 it has to be set in a post-apocalyptic world and instead of cowboy hats, we get hair-spray helmets. Despite everything there might be a good movie buried in the sands.

So its Shane, Once upon in the West, Star Wars and Fallout 4. Ok, maybe Fallout 4 is Steel Dawn. Clearly, Fallout 76 is Steel Dawn. Anyways, this is a hot mess. 

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A team of undeclared researchers go on a dig in the middle of the desert only to discover a secret tunnel that leads to America's greatest secret. But if they'd only gone through the IKEA, they could have saved a bunch of time.Truly bad film's greatest secret itself.

Templar Nation is the true underappreciated and under served bad movie in the bad movie genre. While it should be on the same pedestals as The Room, Birdemic, and Fateful Findings, it sadly sits on Amazon Prime Video, buried in the midst of Asylum-like movies waiting for someone to please just take a chance on it. Sure, it doesn't have the behind-the-scenes "charisma" that say Tommy or Neil have, but the horrendously terrible job that Joseph James does to portray himself as a real-life LARPer stands as high as a vanity-piece gone awry as the other three.

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We take one of the most beloved stinkers of the last decade and find a new reason to justify the entire plot - a rumble to the death over the most important theme of the 1980's - high fashion.

Miami Connection is at the top of the list for most fans of crummy films and this is no accident. It's truly one of the most accessible bad movies of all time. Where some may struggle to view The Room and Fateful Findings there is something for everyone in YK Kim's masterpiece, especially those from the 80's or have 80's nostalgia. While those two items are helpful, they are not required. You can show this to just about anyone, from all ages and all walks of life.

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Arguably the most unique of post-apocalyptic films and Cannon Group's darling, it's also one of the most under-rated budget films of history. This is a big deal folks and 2/3 Stinker Madness host's favorite b-movie.

PA films commonly suffer from their own existence. Most only take place in a "nuked" world because, welll... the desert is just right there. So they shoot this crappy $0 action film in a post-apocalyptic world because it's super cheap to do. The world they live in isn't even the focus. Then tack on a bunch of b-movie tropes (cars with random crap bolted on it, skimpy lady outfits, the chef-d'œuvre usually in the form of a head coming off or exploding at some point) and you've just got a bunch of people chasing each other around in the dirt. Whoopee!

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When you need the toughest of tough guys to play your super agent and lone wolf defender of justice, get that Achy Breaky Heart guy. No man has ever been tougher! But make sure his girlfriend is the one that is the most "radical".

Here's the end result of Radical Jack; Jack is NOT radical, in fact. His most penultimate "action" move to hide under a bed. Not kidding. The film spends the first 3/4 telling us how tough Jack is, what with his smoldering gazes, his Ray-Ban shades, his supreme mullet, his "Renegade" Jeep, his barb-wire tattoo and such. Then we learn he's just not tough at all as he fails to be the catalyst and executor of the climax. It's DeeDee Pfeiffer who is indeed the radical one. "Radical Kate" should be the title of the film.

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It was Schwaz' first box office flop and put up the current standard of spending way too much money on film marketing. It ranks high upon the worst returns of all film history. Yet there is a good film here and could have been a hidden gem -- had it not been for Danny and coming into "our world."

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"Don't do down that path, yah", the strange drunk man with dubious ambitions said to the new residents. Later he would take them on a wondrous adventure to bury a kitty-cat that he himself murdered. It was the strangest thing that week until the dead son came back as Little Lord Fauntleroy with super-powers.

Pet Sematary is just another in a long line of Stephen King movies that raked in the cash but not one theater attendee bothered to pay attention to what was happening on screen. The entire plot is bananas (and falls squarely into "the idiot plot") but that's the least biggest draw for fans of our show. It's all the elements around the plot, ie. the truckers who are clearly trying to break speed records, the undead cat that is just like any other cat, Gage acquiring super-powers upon being reanimated and that the family never asks "Who the hell is this Judd Crandall guy anyways?"

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Cat people. It's a movie about cat people. Written by horror master, Stephen King, it's arguably the most comedic horror film ever made. You thought Dreamcatcher was rife with errors...buckle in, folks.

Sleepwalkers is absolutely bananas. We'll just say right now that this is a must-do film for fans of crummy movies. It's a laugh riot. For instance, let's just put it out there that the chief action star of this film is a house cat, named Clovis. Clovis rivals Chuck Norris, Schwaz, Stallone and Van Damme in the pantheon of 90s action stars. I'm not joking.

When it comes to vanity pieces that are made by the inept, Fateful Findings leads the rest in insanity. This is the model for a really, really, so bad its good movie. Thank you Neil Breen for giving us this travesty to film-making!

This movie...wow. Nothing, nothing, nothing makes any lick of sense or resembles reality. Not even the idea of the film makes sense. How many plots can fit in one movie and how do you even come up with any of them? Even the shirts worn in this thing don't make sense. There is just too much insanity to describe.

Neil Breen stars, directs, produces, writes, edits, et al. He does so many things in the making of this film that he even tried (TRIED) to disguise all the things he did (including catering & casting) in the credits but then tells us that he disguised the credits. What mind does these things? He's brilliant. I'm sorry Wiseau, you're a lot of fun, but Neil Breen is the true auteur of insane vanity.

USA Gold Medal magnet, Kurt Thomas, stars as John Cabot, a USA Gold Medal magnet/super secret agent/diplomat to strange lands. So he solo invades Parmistan, an absolutely insane country, to play "The Game" to get a satellite substation. Well that makes perfect sense!

Gymkata is serious shenanigans. It could be argued that it's the most bonkers movie we've reviewed and definitely the most poorly thought out. While most might focus on the unawesome martial art that combines gymnastics and karate (which puts it in the Streaming Do's and Don'ts realm) the country of Parmistan is our focus. Parmistan is impossible. It can't work. How does diplomacy work? Do they have foreign trade? Is their military only made of ninja or are they more like the secret police? Is there a system of government besides the Khan? I personally believe that someone, probably Pakistan, would have bombed Parmistan back into the Stone Age, but Parmistan never got out of the Stone Age so I guess bomb them back to the times of the dinosaurs (they may also have dinosaurs).

This episode of the podcast centers around the classic Thanksgiving film from 1972, Blood Freak. Its that old tale of a man who smokes a little pot, eats an entire turkey and those goes on a tryptophan fueled and murderous rampage by becoming a freaking turkey. Yep. That's it.

Blood Freak is freaking insane and one of the worst movies ever made. The production values are incredibly poor with poor lighting, out of focus shots, terrible set design and horrible acting. It's right in line with films like Eegah!, Monster A Go-Go, The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies, or anything starring Tor Johnson. How this managed to get past the MST3K crew is a mystery deeper than where the hell is Amelia Earhardt.

Worth Keeter's first Duncan Jax film is one of the film-world's must undiscovered gems. It's a glorious romp of all things awesome. If you like any fun film ever, then Unmasking the Idol is right up your alley. It's banana's in the best manner.

Somehow Unmasking the Idol has gone under the radar since its debut 30 years ago. Only 88 user ratings exist on IMDB (including the rating we gave). Host of Stinker Madness, Justin, has it as his 10th favorite bad movie of all time. That is enough right there to have this movie have at least 100 user ratings on IMDB.

Our good movie friend Tucker (If We Made It Podcast) stops by to discuss one of the greatest/stupidest action movies of all time. Be prepared for ridiculous (hilarious) Arnold impressions.

Commando is so iconic and such a staple in "men with guns" movies that it's hard to avoid and impossible to dislike. It's level of over-the-top is unequaled that for the next 15 years in film, every action movie attempts to be Commando but none have come close. It's the model, but at the same time it's SOOOOO stupid.

Troll 2 has been widely hailed as one of the best bad movies ever made what with its documentary called "Best Worst Movie" and also topping the IMDB Bottom 100. Sometimes though a film can be overpraised in its horrendousness. Will Troll 2 stand up to the critical analysis that has debunked such films as Gigli and Mommie Dearest?

The short answer? No. No this movie is one of the worst ever made.

Duke Mitchell gives us his best Godfather impression and along the way offends all of mankind, sails the Atlantic without problem, nabs the most powerful man on the planet with a pistol, and then finds God? It's one of the most bonkers films ever made and shouldn't be missed.

This film is one of those rare "masterpieces" that come once every few hundred years. When films like Gone with the Pope are released, the stars and planets must all be in line and druids must sacrifice a virgin on top of some rocks. This is incredibly unique. It's two movies mashed into one with one of the least charismatic actors fronting the entire show all while not having a clue on how to make a movie. It's a vanity piece on par with The Room with a screenplay that is written on napkins and roll up hundreds primarily used for snorting coke. What Duke Mitchell put together in 1975 is a trainwreck of catastrophic proportions.

That ol' nasty Aztec cult living in NYC rears its ugly head again and resurrects a giant flying hotdog-turtle that eats bikini ladies. Meanwhile, a low level criminal butthole douchebag treats his girlfriend poorly and then takes a couple of barely working cops on an egg chase.

Believe it or not, this film shouldn't be called "Q", unless "Q" stand for "Quinn" because this film is not about a flying dinosaur(?) worshipped by an Aztec cult. It's truly about Jimmy Quinn, a low level criminal that doesn't understand how to do his job and his quest for fame and fortune, set to the background of a giant flying serpent attacking NYC. Here's a simple test to verify this: Tell us what the story of Q is in this film and then tell us what the story of Jimmy Quinn is in this film. You have a beginning, middle and end to Quinn; you understand his motivations, his relationships and his desires. Quinn is the main story.

Private Joe Armstrong (Michael Dudikoff) makes his dramatic debut to Stinker Madness with enough cool guy stares to melt a polar bear when he and Steve James team-up to punch and kick guys....and shoot them...and blow them up....sometimes run them over....and other ways you can kill guys.

Joining us for this episode is Joe Fulgham from the always funny and sometimes grody podcast, Caustic Soda. If you've never heard or had the chance to listen to these guys you are blowing it. As in "not ever having seen No Holds Barred blowing it". We listen to each and every episode, its that good.

Paul Verhoeven had a vision for a caricature of a Fascist future society and totally nails it in the guise of a silly space battle movie. Toss in a 3 way love story with incredibly strong and easy to care for characters, exceptional acting and you've got one of hell of a good movie.

Why then is this movie on Stinker Madness? Well because in 1997 the critics and Sam and Justin made a single mistake; they didn't get this movie. The world wasn't ready for Starship Troopers. We were expecting a film adaptation of the Robert Heinlein science fiction novel of the same title. We weren't expecting a high school football game with backflips. We weren't expecting children smashing beetles and mothers laughing maniacally at it. We weren't expecting Robocop and Total Recall with a serious story and moral statement. So it was panned by critics. Thus making it a "bad movie". But it truly is a masterpiece in pop culture.