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"Fair Game" is the cinematic equivalent of a rollercoaster ride designed by someone who forgot to include safety measures, plot coherence, or the laws of physics—and somehow, it’s a blast to watch. Starring William Baldwin as Miami cop Max Kirkpatrick and Cindy Crawford as Kate McQuean, a sexy lawyer who becomes the inexplicable target of a rogue KGB faction, this movie is a glorious 90 minutes of car chases, explosions, and dialogue so wooden it could be used to build a log cabin.

The Plot (If You Can Call It That)

Kate McQuean, a lawyer who apparently moonlights as a fashion model (judging by her perpetual runway-ready appearance), files a lawsuit involving a derelict freighter owned by the bad guys. Naturally, this lawsuit sets off a chain reaction where the Russian mafia—consisting of the most cartoonishly evil ex-KGB agents imaginable—decides she must die at all costs. Why? Because, apparently, the freighter is tied to their secret cyber-criminal empire.

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A horror movie that thrills its audience with...uh....hmmm...sewing? Oh and a demon is summoned out of loneliness and a desire to have tea parties with dollies. This is so unbelievably bad.

"Annabelle" (2014) is a cinematic catastrophe that makes you question the very fabric of horror filmmaking. From a plot that can only be summarized as "a cult summons a demon who likes to play with dolls," to characters so insipid and carelessly written that you'll find yourself wishing for their swift demise, this movie is a masterclass in how not to make a horror film.

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Good ol' Fred Flintstone gets caught up in a criminal conspiracy to defraud Slate Co's investors and embezzle millions of shells all while risking the lives of his family and destroying his neighbor and best friend's career, home, family and his dignity. Whatta guy!

From the get-go you know something is wrong here. Fred is just a big of piece of toxic garbage. Yes, I know the character was based off Jackie Gleason in the Honeymooners but it is a real experience to go back and watch what a huge POS he was. The guy's entire existence is centered around being "the tough guy" that everyone loves and has only one motivation - being liked and admired. And that's where the movie takes us. Its such a far cry from Homer Simpson whose real sin is being a lazy moron. Inside and past the undigested donuts is a true golden heart. A loving father and faithful husband. But that ain't Fred... at least not until he has an epiphany while on the end of a hangman's noose (yup, you read that right). You might see something similar in other family movies where the guy goes from a great dude to being corrupted by money only to be redeemed in the end. Nope, not our Fred. He's always been a chauvinistic lay-about, with a fragile little ego that makes him ripe for storming the capital. Fred Flintstone is a bad person throughout this whole experience.

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Horny scientists in space! Everything in this movie is gross sex! Everyone has messy pants including the aliens! Ever wanted to see a xenomorphs vagina? You can now! What a pitch...

Essentially, scientists want to cure disease and they think that making a human/xenomorph combo will give them the answers which has its own set of problems. BUT, instead they make some regular xenomorphs too and some Ripley abominations who tear apart a handful of scientists and Michael Wincott too early in the film. This results in the science vessel automatically crashing into the Earth at the speed of 176 million MPH causing an extinction level event and ushering in a nuclear holocaust. Thanks Ripley!

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Beloved (by us) director Renny Harlin shares with us his vision of Frankenstein in which Man isn't just the monster, Man is a bunch of bumbling idiots that have a hard time avoiding killing themselves.

It isn't just that this is full blown idiot plot, its that these people are so stupid in ever maneuver they do, including the entire reason the film happens that its a surprise they are able to understand which appendage socks go on. We're talking bovine levels of intelligence. I mean, they leave the shark in the science lab while conducting "science" and its only secured by a ratcheting tie-down - the kind one buys at Home Depot when they need to move a mattress across town. Of course, you all are gonna get eaten! The ineptitude and holes in common sense just escalate from their and culminate with the protagonist (maybe? this is a topic for much debate) tries to be a hero but only manages to make the situation far worse and also results in getting chomped up pretty nicely.

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Its Schwazenator vs Y2k fears! The epic battle begins! Meanwhile, Gabriel Byrne gets a handful.

So what we've got here is that Satan wants to ensure that the Anti-Christ's mom is gonna be good to go when she's old enough for a rogering. The PROBLEM is that it takes about 15 views to understand that. The film is mostly just nonsense action sequences that could very well be just unconnected events if one isn't taking notes on the dialogue (or listening to a podcast discussing this all).

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Patrick Swayze says Dalton was a weiner and gifts us the pyschopathic, blood-lusting, and man of the road - Jack Cruise. Along the way Meatloaf delivers his best, but still manages to get Asahi Guy murdered and bankrupts his own villainy scheme before it gets started.

Lets just get this out of the way - Black Dog is fantastic and is one of the few shining examples of perfectly bad in every way. Every bit of it is inept from the music, the casting, the script, the acting, the directing and the editing and has the "it" factor on all those elements for bad movie fans. It's a glorious seam-less mess that you couldn't set out to do such a bad job and have it work so well together. It's stunningly perfect and beautiful and a complete train-wreck.

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The bald bros are back minus the biggest bald bro, so the bald bro stock is down! The 2/3 of the bald bros are forced to team-up to stop Thanos from killing everyone while learning about super-powered villains, love and friendship and forget about family, Vin Diesel and cars.

While there is a myriad of problems with Universal's fingers in their big franchise (of which there is many fingers) the team behind the action do a great job. This film is shot well, very well choreographed, has some genuinely funny cameos (that normally would have sucked ass), and some great film-making contrasting the two leads.

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The US Dept of Treasury hires an ATF agent and some "Army guys" to protect $600 million on its way to a giant paper shredder. Then some baddies try to steal it. Set to the backdrop of a physically impossible hurricane. The only thing in their way? A weatherman and is mechanic brother. Too early to whisper SMABFA?

This movie is crap. Whether its enjoyable crap is a topic for debate, which we'll get into, but it's absolute crap. Fans of bad movies MUST see this film. It's astounding that we are still making screenplays that are this terrible. At no point did anyone bother to open a book to check out how hurricanes work. So the science is impossibly bad - like Armageddon bad. Yet, the science is not as bad as the plot. You guessed it, we're facing another round of the idiot plot. Both sides (good and bad guys) go out of their way to ensure the plot exists against their own interests. Stuff that next to atrocious dialogue such as: