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Sasquatch finds the love of his life and then her husband smashes his head with a rock. Shakespeare it is not.

So a couple get hit with rocks and get lost in the woods. What ensues is Squatch gets a crush on the lady and wants to have some alone time with her. Standing in his way is some rednecks, her husband and a local sheriff that's coming down from a bad peyote trip. And its way weirder than that. Its a tiny little indy-budget movie that is like the John Wick of DTV horror films as in someone that is GREAT at makeup directs and writes a movie. The makeup is great (like the stunts in JW) but the story is baffling (unlike JW) with the world of Bigfoot being very confusing and dubious. Throw in some Native American weapons and some bark armor and Bigfoot just gets weirder and weirder.

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Nic Cage has to team-up with his partner "Dead Meat" and a 16 year old bullied teenager to take down a team of bank-robbing mercenaries that have a combined IQ of DUUUUMMMMBBBB. Here comes the idiot plot.

Yes its a DTV Nic Cage movie. You probably know what you're getting into with this. Is it his worst? No. Is it fun? Well.....If you like the idiot plot (all drivers of the plot must be total morons or the movie doesn't happen) then yes. You'll like this. Is it the movie we wanted to see out of this premise? Nope. The thing is that the heisting aspect and subsequent danger our protagonists are put into is so incredibly trite and somewhat uninteresting that 3/4 of the movie is checkout time. We've seen it all before. Guys go into building, take hostages, unprepared police find a way to take them down. What is different is that the villains are absolute idiots. Their entire plan appears to have hinged on illegal parking. 

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Lets put a terrible cast with no professional singing experience around a terrible script all while performing some of the worst music ever recorded. Time for Stinker Madness to step on some hair metal feelers.

Now don't go storming the capital, but the late 80's hair metal/butt rock genre is a bunch of garbage. Which is fine. But this movie isn't. It's garbage. Nothing can be forgiven here, such as a time and place that the Sunset Blvd rock scene was all about in the late 80's. This is just nostalgia for a time when being a terrible person was celebrated. And it sucks.

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When the only way to get revenge for your brother's death is to drive at 200 MPH, don't. Because apparently you don't need to, or can't, or it really wasn't anybody's fault except your brothers. I mean the list goes on and on.

So this is an Asylum movie, which we tend to steer very clear of because of the complete lack of writing that takes place and their usually horrible visuals. Well this makes no exception. The writing is incredibly terrible and the visuals are horrendous. What is hard to clarify is that somehow this one feels different from their other rubbish. There's really not any "boxes of dialogue" in the middle. There's no standing around with quick cuts between characters not really talking about anything but pretending their doing something important. 200 MPH is more just wandering between scenes that may or may not have anything to do with the plot but its too hard to tell because you're never really sure what the plot is exactly. 

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Nothing says Xmas like a handful of spinning tornados. And nothing makes less of a Christmas movie than just sprinkling in some Christmas decorations in post. I mean at least have the tornado suck up a tree farm or something!

Well, it's not good. That's it, I'll take my leave of you. Oh, I actually have to write up a review? Damn. 

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David DeCouteau gives us a clinic on how to make a terrible movie in 2 days. Yeah it stinks, but hey! Two days! Suck it, Spielberg!

Gary Daniels, Cynthia Rothrock, Kathy Long and Daniel Bernhardt give us the least action packed movie of all time. Yes you read that right. There is a total count of 0 spin kicks. 0 double axe handles. 0 flying leap kicks to the tummy. Literally there is 0 action. You pulled a big one on us David, you got us. LOL. Haha. We've all had a good laugh now, but so can you seriously add a Special Edition which involves Gary Daniels sweeping Chris Mitchum's legs and Cynthia Rothrock giving Daniel Bernhardt a back breaker over the couch while Kathy Long does a flying kick through a window - shattering Andy's (or Justin Bieber?) clavicle? 

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Most will see this as a Monkey's Paw retell but it's really and truly just a recut of Teen Witch but without all the singing and dancing and then they made it so much crappier...crappier than Teen Witch. Yup.

Some movies are prime for knocking off, right? See the endless list of Jaws and Conan movies from late 70s and 80s. See any Roger Corman movie post-Star Wars. Sure, you won't work very hard on it and make just a few bucks but hey, that's easy money. 

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A team of undeclared researchers go on a dig in the middle of the desert only to discover a secret tunnel that leads to America's greatest secret. But if they'd only gone through the IKEA, they could have saved a bunch of time.Truly bad film's greatest secret itself.

Templar Nation is the true underappreciated and under served bad movie in the bad movie genre. While it should be on the same pedestals as The Room, Birdemic, and Fateful Findings, it sadly sits on Amazon Prime Video, buried in the midst of Asylum-like movies waiting for someone to please just take a chance on it. Sure, it doesn't have the behind-the-scenes "charisma" that say Tommy or Neil have, but the horrendously terrible job that Joseph James does to portray himself as a real-life LARPer stands as high as a vanity-piece gone awry as the other three.

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Two former Knights Templars (however the plural of that works) roam "The Far East" in a vague period of time bust up a usurpation of the kingdom by moping, doing opium, terrible battle plans and becoming Caribbean pirates. Tempyarr!!!

What you want to come here for is the bad acting and the incredibly stupid character decisions. As one could predict, Hayden Christensen is not good. Surprisingly, he's far from the worst. Unsurprisingly, that award goes to Nic Coppola. Look, here's on set for about 3 days. At some point, he went into his trailer for 30 minutes, came back out and then told the director that his character should transition into a voodoo pirate. Well even if one could agree to those terms, Nicolas couldn't because his Yarrr! pirate fades in and out even within the same set of dialogue. Outcast has to rank as one of the worst Cage has even given us and the number one reason to show up to watch this film.

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It's bonkers-bad, sure. It's basically kitty version of Logan's Run, sure. It's got a cat-orgy scene, sure. It looks like crap, sure. But what the heck is the difference between this and the stage play? What did you people think was gonna happen here? Also Tay-Tay blows ass here.

Guys, it's just Cats. The stage play IS this bad. It's all crap. If you hate the movie and love the play, then put your head in a microwave if you can pull it out of your own ass. What did you want here? In fact, you should LOVE the movie because it's even MORE of the crap that you love from the play. Get the hell out of here.

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Rambo rides off into the sunset (or dies in a pool of blood) but takes many, many, many people down with him on the way. It's a bloody, sticky, mess that will fall into the either love-it or hate-it folly.

So let's get this out of the way first - Rambo: Last Blood looks like absolute crap. Whomever shot this should be sacked. Very few shots look even as good as most DTV films and each vehicle scene features completely unnecessary rear-projection. Why in the hell does this have to look so awful?

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Banning comes back once again to save the President once again from an assassination attempt where not everything is not as it seems once again. It's the number one movie in America, but is it enough to keep the Banning franchise alive?

Make no mistake, Banning 3's plot statement above is the same as the other two but this film is a departure from the other two. Where the other two are a thin plot stuff around ludicrous action scenes and Banning eating the flesh of his enemies, this one mostly has Banning on the defensive and reacting to the violence around him instead of reveling in it. And while the villain is a complete moron (we'll get to that later) there's nothing really stupid that takes place in Banning's world. Let's put it this way - if there were no Banning 1 and 2, Banning 3 wouldn't be on the podcast. It's just a solid (if forgettable) action movie.

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The bald bros are back minus the biggest bald bro, so the bald bro stock is down! The 2/3 of the bald bros are forced to team-up to stop Thanos from killing everyone while learning about super-powered villains, love and friendship and forget about family, Vin Diesel and cars.

While there is a myriad of problems with Universal's fingers in their big franchise (of which there is many fingers) the team behind the action do a great job. This film is shot well, very well choreographed, has some genuinely funny cameos (that normally would have sucked ass), and some great film-making contrasting the two leads.

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The Breen goes down one of his strangest rabbit holes (which is saying a lot) yet when he plays an AI from the future who has to come to Earth and clean up mankind. Neil is starting to frighten us.

Pass Thru is what happens with a director's typical 4th movie. Neil spends far too much of the film "honing his craft" and using up precious film space so that he can practice how to use camera's. So unfortunately, Pass Thru isn't crammed full of nonsense; where Fateful Findings is 100% bananas, this is about 50%. So the viewer spends a lot of time staring at Breen looking stoic from various angles, which makes for a very boring journey.

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From Wakaliwood comes Uganda's first action movie! This is Uganda! Yeah Yeah Yeah Okay! Commandos! Tiger Mafia! Tiger Mafia Commandos! VJ Emmie on the mic! So yeah, we make fun of it.

Who Killed Captain Alex is one of the cleverly disguised as crap, but actually smarter b-movies we've reviewed on the show. We found the plot to be fairly conventional while watching the movie until the last 3 frames and we released that we had been duped. This was no common hyper-budget action movie. Nothing out of Vietnam, Philippines, or Mexico writes like this. Its absolutely riffing on the entire genre in the vain of The OP, Turbo-Kid, and Jesus Christ: Vampire Hunter. The hook is so subtle despite it being the title of the damn movie.

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A couple ding-dongs find a box with some stuff in it, so their only choice is to summon a crappy version of Slender Man and have him chase them around until 3:33am. Meanwhile you've got Grandma upstairs complaining about the trouble-makers in Selma, absolutely no reward if you beat the game, and a villain with dubious intentions. Hope you all like lengthy rules!

Soooo many rules! The length of the rules of summoning Midnight Man need to have a team of professional editors go through them. You might run out of ink in your printer. BUT there's a myriad of holes within them. For instance, Midnight Man will leave you alone after 3:33am. Is that GST? What time measurement system is he going by? Will a sundial work? Or can you just use your cell-phone? What about time-zones? What happens if someone else summons Midnight Man in Italy and Chicago? What's he do when he's NOT summoned?

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A faceless board-room guy (probably the one that fired James Gunn) is also a tree-man, octopus, tarantula with very dubious motivations, but likely he's actually the ghost of Chalton Heston, arboriculturist.

Slender Man the movie was doomed before it came out the gate. There is no way to pay this much fan service to the original creepy-pasta while trying to make a sensical story. Once you put Slender Man into an environment that must have some sort of back-story and character motivations and that old bummer, the Protagonist/Antagonist diatribe you've got no choice but to make your new horror icon look about as clever as the bird in the desk of The Wicker Man.

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The US Dept of Treasury hires an ATF agent and some "Army guys" to protect $600 million on its way to a giant paper shredder. Then some baddies try to steal it. Set to the backdrop of a physically impossible hurricane. The only thing in their way? A weatherman and is mechanic brother. Too early to whisper SMABFA?

This movie is crap. Whether its enjoyable crap is a topic for debate, which we'll get into, but it's absolute crap. Fans of bad movies MUST see this film. It's astounding that we are still making screenplays that are this terrible. At no point did anyone bother to open a book to check out how hurricanes work. So the science is impossibly bad - like Armageddon bad. Yet, the science is not as bad as the plot. You guessed it, we're facing another round of the idiot plot. Both sides (good and bad guys) go out of their way to ensure the plot exists against their own interests. Stuff that next to atrocious dialogue such as:

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Dwayne is back into being the charming, super-ripped, former Special Forces, who has more ability to punch a monster in the face than follow social norms. This time he's playing the role of 15th guy from the 4th level of the original video game. Plus 3 monsters destroy Chicago and Don Jr. makes his acting debut.

Thanks to the incredibly bad decisions of corporate scientist CEOs (whatever that is), we are treated to three genetically mutated former critters that eventually get to big and start smashing crap. You can imagine what that's like. So let's talk about everything else.

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Some people have no business making movies. Some people who have no business making movies REALLY have no business making animated movies. Foodfight! is a travesty. The UN should have sent inspectors into the production and placed sanctions against it. The Canadian Army should have liberated the people working on it from their captors. It's that bad.

Ok, so we know it's really bad. The animation is atrocious and the jokes are cringe-worthy. That's all been said. Let's get into this a little deeper.