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Final Destination 5

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Final Destination 5 arrives with the same promise every installment in the franchise makes: elaborate Rube Goldberg death traps, a group of attractive but personality-free victims, and the vague hope that maybe—just maybe—this time they’ll do something different with the concept. Instead, the film dutifully clocks in for another round of “Death’s master plan,” delivering exactly what you expect and little else. It’s the cinematic equivalent of a factory resetting itself every ninety minutes.

By the fifth go-around, the plot mechanics have become painfully transparent. A premonition saves a handful of people from a spectacular disaster, they try to cheat Death, and then the universe conspires to kill them one by one using household items, loose bolts, and questionable workplace safety standards. The film acts as if it’s revealing some grand mystery about Death’s rules, but if you’ve seen even one previous entry you can practically write the script yourself. The series has settled into a rut where the only innovation is how absurdly complicated the next fatal accident can become.

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Finding Mrs. Claus

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Seems like this isn't the first time Mrs. Clause has run off to an exotic location filled with thirsty dudes.

“Finding Mrs. Claus” is one of those movies that exists in a very specific cinematic snow globe, and if you’ve spent any time in that globe, you already know exactly what you’re getting. This is pure Lifetime Christmas programming: wholesome, gentle, slightly artificial, and utterly uninterested in surprising you. It’s not bad, not embarrassing, and not particularly memorable—it’s just there, humming softly like a string of pre-lit lights you forgot to unplug.

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Dancing Ninja

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Fact: Real ninjas throughout history used jazz hands to assassinate their targets.

"Dancing Ninja" might not be everyone's cup of tea, but if you're into a movie that revels in its own absurdity, you'll find a lot to love here. The film's corny jokes hit just the right note, and its satire—though subtle at times—adds a clever twist that keeps you on your toes. Every member of the cast and crew clearly put a tremendous amount of effort into the project, infusing each scene with passion and a genuine commitment to the film’s offbeat vision.

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Supervized

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Grumpy Old Men but they can fart fire!

In theory, Supervized could have been a quirky, heartfelt exploration of aging superheroes grappling with retirement, purpose, and the loss of their glory days. In practice, it’s a tedious, joyless slog that squanders its promising premise on cheap gags, uninspired storytelling, and a finale so absurd it feels like the filmmakers gave up trying to make sense of their own plot.

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Happy New Year

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Don't have enough plot to get to 3 hours? Just restate the plot of the movie 3 times and give your movie an hour of free time.

"Happy New Year" has all the makings of an enjoyable Bollywood blockbuster—a promising story, decent acting, likable characters, and a handful of genuinely fun sequences. On paper, this sounds like a surefire recipe for entertainment. However, the film quickly falls prey to the worst habits of Bollywood: unnecessary bloat, juvenile execution, and a lifeless narrative that seems more concerned with padding out its 3-hour runtime than telling a compelling story.

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Annabelle

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A horror movie that thrills its audience with...uh....hmmm...sewing? Oh and a demon is summoned out of loneliness and a desire to have tea parties with dollies. This is so unbelievably bad.

"Annabelle" (2014) is a cinematic catastrophe that makes you question the very fabric of horror filmmaking. From a plot that can only be summarized as "a cult summons a demon who likes to play with dolls," to characters so insipid and carelessly written that you'll find yourself wishing for their swift demise, this movie is a masterclass in how not to make a horror film.

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The Christmas Consultant

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When you hire a pro, just let the pro do his job. You're still the one smart enough to hire him, lady!

If you're in the mood for a festive film that perfectly encapsulates the true spirit of Christmas, look no further than Lifetime's original movie, "The Christmas Consultant," starring none other than the one and only David Hasselhoff. This holiday flick manages to blend heartwarming moments with a dash of Hoff ridiculousness, creating a unique and surprisingly delightful experience.

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Elf-Man

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An elf gets ditched by his horrible boss, Santa, and is forced to fend for his life because some bratty girl doesn't appreciate the life her father has built for her as a single dad. Oh and Jeffrey Combs!

"Elf-Man," a 2012 holiday film, falls into the category of hokey family Christmas movies that attempt to capture the true spirit of the season but ultimately miss the mark. While it's not as bad as one might initially fear, it still leaves much to be desired.

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Vamps

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It's more Clueless than Blade but it sure ain't The Lost Boys. I still believe, though.

"Vamps," the 2012 movie starring Alicia Silverstone and Krysten Ritter, offers a refreshing and somewhat quirky take on the vampire genre. While it may not be everyone's cup of tea (including 1/3 of Stinker Madness), it certainly has its charm, thanks to its unique spin on vampires trying to navigate the complexities of human life while grappling with their immortality.

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Primal Rage

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Sasquatch finds the love of his life and then her husband smashes his head with a rock. Shakespeare it is not.

So a couple get hit with rocks and get lost in the woods. What ensues is Squatch gets a crush on the lady and wants to have some alone time with her. Standing in his way is some rednecks, her husband and a local sheriff that's coming down from a bad peyote trip. And its way weirder than that. Its a tiny little indy-budget movie that is like the John Wick of DTV horror films as in someone that is GREAT at makeup directs and writes a movie. The makeup is great (like the stunts in JW) but the story is baffling (unlike JW) with the world of Bigfoot being very confusing and dubious. Throw in some Native American weapons and some bark armor and Bigfoot just gets weirder and weirder.

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211

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Nic Cage has to team-up with his partner "Dead Meat" and a 16 year old bullied teenager to take down a team of bank-robbing mercenaries that have a combined IQ of DUUUUMMMMBBBB. Here comes the idiot plot.

Yes its a DTV Nic Cage movie. You probably know what you're getting into with this. Is it his worst? No. Is it fun? Well.....If you like the idiot plot (all drivers of the plot must be total morons or the movie doesn't happen) then yes. You'll like this. Is it the movie we wanted to see out of this premise? Nope. The thing is that the heisting aspect and subsequent danger our protagonists are put into is so incredibly trite and somewhat uninteresting that 3/4 of the movie is checkout time. We've seen it all before. Guys go into building, take hostages, unprepared police find a way to take them down. What is different is that the villains are absolute idiots. Their entire plan appears to have hinged on illegal parking. 

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Rock of Ages

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Lets put a terrible cast with no professional singing experience around a terrible script all while performing some of the worst music ever recorded. Time for Stinker Madness to step on some hair metal feelers.

Now don't go storming the capital, but the late 80's hair metal/butt rock genre is a bunch of garbage. Which is fine. But this movie isn't. It's garbage. Nothing can be forgiven here, such as a time and place that the Sunset Blvd rock scene was all about in the late 80's. This is just nostalgia for a time when being a terrible person was celebrated. And it sucks.

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200 M.P.H.

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When the only way to get revenge for your brother's death is to drive at 200 MPH, don't. Because apparently you don't need to, or can't, or it really wasn't anybody's fault except your brothers. I mean the list goes on and on.

So this is an Asylum movie, which we tend to steer very clear of because of the complete lack of writing that takes place and their usually horrible visuals. Well this makes no exception. The writing is incredibly terrible and the visuals are horrendous. What is hard to clarify is that somehow this one feels different from their other rubbish. There's really not any "boxes of dialogue" in the middle. There's no standing around with quick cuts between characters not really talking about anything but pretending their doing something important. 200 MPH is more just wandering between scenes that may or may not have anything to do with the plot but its too hard to tell because you're never really sure what the plot is exactly. 

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Christmas Twister

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Nothing says Xmas like a handful of spinning tornados. And nothing makes less of a Christmas movie than just sprinkling in some Christmas decorations in post. I mean at least have the tornado suck up a tree farm or something!

Well, it's not good. That's it, I'll take my leave of you. Oh, I actually have to write up a review? Damn. 

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Santa's Summer House

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David DeCouteau gives us a clinic on how to make a terrible movie in 2 days. Yeah it stinks, but hey! Two days! Suck it, Spielberg!

Gary Daniels, Cynthia Rothrock, Kathy Long and Daniel Bernhardt give us the least action packed movie of all time. Yes you read that right. There is a total count of 0 spin kicks. 0 double axe handles. 0 flying leap kicks to the tummy. Literally there is 0 action. You pulled a big one on us David, you got us. LOL. Haha. We've all had a good laugh now, but so can you seriously add a Special Edition which involves Gary Daniels sweeping Chris Mitchum's legs and Cynthia Rothrock giving Daniel Bernhardt a back breaker over the couch while Kathy Long does a flying kick through a window - shattering Andy's (or Justin Bieber?) clavicle? 

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Wish Upon

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Most will see this as a Monkey's Paw retell but it's really and truly just a recut of Teen Witch but without all the singing and dancing and then they made it so much crappier...crappier than Teen Witch. Yup.

Some movies are prime for knocking off, right? See the endless list of Jaws and Conan movies from late 70s and 80s. See any Roger Corman movie post-Star Wars. Sure, you won't work very hard on it and make just a few bucks but hey, that's easy money. 

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Templar Nation

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A team of undeclared researchers go on a dig in the middle of the desert only to discover a secret tunnel that leads to America's greatest secret. But if they'd only gone through the IKEA, they could have saved a bunch of time.Truly bad film's greatest secret itself.

Templar Nation is the true underappreciated and under served bad movie in the bad movie genre. While it should be on the same pedestals as The RoomBirdemic, and Fateful Findings, it sadly sits on Amazon Prime Video, buried in the midst of Asylum-like movies waiting for someone to please just take a chance on it. Sure, it doesn't have the behind-the-scenes "charisma" that say Tommy or Neil have, but the horrendously terrible job that Joseph James does to portray himself as a real-life LARPer stands as high as a vanity-piece gone awry as the other three.

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Outcast

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Two former Knights Templars (however the plural of that works) roam "The Far East" in a vague period of time bust up a usurpation of the kingdom by moping, doing opium, terrible battle plans and becoming Caribbean pirates. Tempyarr!!!

What you want to come here for is the bad acting and the incredibly stupid character decisions. As one could predict, Hayden Christensen is not good. Surprisingly, he's far from the worst. Unsurprisingly, that award goes to Nic Coppola. Look, here's on set for about 3 days. At some point, he went into his trailer for 30 minutes, came back out and then told the director that his character should transition into a voodoo pirate. Well even if one could agree to those terms, Nicolas couldn't because his Yarrr! pirate fades in and out even within the same set of dialogue. Outcast has to rank as one of the worst Cage has even given us and the number one reason to show up to watch this film.

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Cats

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It's bonkers-bad, sure. It's basically kitty version of Logan's Run, sure. It's got a cat-orgy scene, sure. It looks like crap, sure. But what the heck is the difference between this and the stage play? What did you people think was gonna happen here? Also Tay-Tay blows ass here.

Guys, it's just Cats. The stage play IS this bad. It's all crap. If you hate the movie and love the play, then put your head in a microwave if you can pull it out of your own ass. What did you want here? In fact, you should LOVE the movie because it's even MORE of the crap that you love from the play. Get the hell out of here.

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Rambo: Last Blood

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Rambo rides off into the sunset (or dies in a pool of blood) but takes many, many, many people down with him on the way. It's a bloody, sticky, mess that will fall into the either love-it or hate-it folly.

So let's get this out of the way first - Rambo: Last Blood looks like absolute crap. Whomever shot this should be sacked. Very few shots look even as good as most DTV films and each vehicle scene features completely unnecessary rear-projection. Why in the hell does this have to look so awful?

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