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Gunhed is the kind of movie that makes you desperately want to love it. It has enormous robots, giant explosions, lasers everywhere, fantastic miniature work, and some genuinely impressive production design. Unfortunately, it also seems to have been edited by someone who assumed the audience had come to see a completely different movie. The result is a visually spectacular but narratively incoherent mess that frequently feels like you're watching the highlights of a much longer film.

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We really were losing a war to vending machines?

Electric State might just be one of the most staggering wastes of resources and talent to hit the screen in years. Armed with a ludicrous budget and an all-star cast, this movie squanders every ounce of its potential in a messy, juvenile attempt at sci-fi storytelling that only children—or perhaps the most forgiving of viewers—could enjoy.

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So this entire movie is just being recounted during a police interrogation? Face it, R.O.T.O.R. is one of the best bad movies there is.

"R.O.T.O.R." is a cinematic gem that defies all conventional standards of quality to deliver an experience so bad it's absolutely good. This 1980s sci-fi action flick is a masterclass in unintentional comedy and bewildering plot choices, making it a must-watch for fans of hilariously awful movies.

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Thrill as J-Lo complains in a chair in front of green screen for 45 minutes. That butt, tho....

"Atlas," starring Jennifer Lopez, aims to be a thrilling sci-fi adventure but ultimately lands in the realm of forgettable mediocrity. The plot, which revolves around a dystopian future and a battle for humanity's survival, is riddled with flaws and holes that make suspension of disbelief a constant struggle. The storyline feels hastily stitched together, with plot twists that are more confusing than surprising.

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Less people get sat on by robots in war, I guess.

So Robot Jox is a conglomeration of many other staples in 1989. You've got a post-apocalyptic setting thanks to the Cold War. You've got a sports related global event ala Rollerball, Deathrace 2000, Running Man, et. al. And you've got robots fighting ala Rock 'Em Sock 'Em Robots. Ok, maybe the last one was a stretch but you get the picture. Lastly, you've got a critical factor. George Lucas. 

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That bad guy from Stargrove hatches a diabolical plan to steal all the dubious chips using bug-bots while Tom Selleck's mustache chases tail AND Gene Simmons. Maybe program your robots to only attack your enemies, Gene.

What is Runaway? It falls into this weird pit where you can't really say its a stinker as there is a number of really well done things. Of course, Selleck is great. Gene Simmons is a great villain. Kirstie Alley and Cynthia Rhodes are competent. It looks good. The effects are solid. The "future" world (not sure if its the future as we never have a "Five Years From Now" card) is well crafted. The score is appropriate and subtle. Yet, somehow every bit of good is countered with pure cheesy stink.

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There's a really good reason that this film disappeared from cable networks and the cultural lexicon. Take an heavy level of racism, add a cavalcade of annoying characters and jokes then sprinkle all that on top of inane plot and you've got yourself a monster bud movie.