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A traitorous group of ex-military hatch a plan to hijack an airport so that they can move a pilot from one plane to another. They only thing they didn't account for was John McClane. Oh, and other airports, radios, emergency vehicles, electrical tape, power lines, and the media. But mostly, John McClane!

I mean...why is this so highly rated? Its sitting at a 7.1 on IMDB as of this writing. That's only 1 star lower than the first one. This movie is seriously only 1 star worse, super fans? Its like at least 3! Why?

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Nobody crosses the bridge between Uptown and Jungleground! Except the dope pushers, of course. Oh, and the cops. Well we gotta give 'em a little action every now and then, right? Oh and the Feds, hookers, delivery companies, truckers and constructions workers. Seems like everyone does actually.

What you've got here is fairly standard fair for a mid-90's DTV action movie with a few standout exceptions. Roddy is, of course, great despite his terrible dialogue in the script. The relationship between Roddy's "Jake" and his fiancé(?), Samantha, is unique in that its just a straight-up good relationship with no getting sidetracked in backstory or conflict between them. Even Samantha takes a few departures away from cliché' by supporting his copping, standing up to sexual harassment and not being a helpless damsel. The film also does one thing very well - it never loses focus. Its "get home, Jake, before they kill your love". No pauses in that goal. Even with the addition of a helpful hooker who just wants to start a new life, Jake always keeps moving forward. He doesn't stop to ponder her struggles or drop her off a a clinic and stay to check on her (in fact he drops her off with some construction workers and steals their truck) nor does Jake try to save Jungleground or its people. He just keeps moving toward Samantha.

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That bad guy from Stargrove hatches a diabolical plan to steal all the dubious chips using bug-bots while Tom Selleck's mustache chases tail AND Gene Simmons. Maybe program your robots to only attack your enemies, Gene.

What is Runaway? It falls into this weird pit where you can't really say its a stinker as there is a number of really well done things. Of course, Selleck is great. Gene Simmons is a great villain. Kirstie Alley and Cynthia Rhodes are competent. It looks good. The effects are solid. The "future" world (not sure if its the future as we never have a "Five Years From Now" card) is well crafted. The score is appropriate and subtle. Yet, somehow every bit of good is countered with pure cheesy stink.

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Another massive video game adaptation comes to us in the form of a fighting game with massive jiggle physics. Somehow they managed to supplement the jiggle with one of the dumbest villain idiot plot we've ever come across.

So let's get the obvious question out of the way - is DOA the movie as jiggly as the game - no. The sexuality in the movie is way toned down - due to trying to reach a mass audience including the sexually conservative Chinese market. Bummer.

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Teenagers form up to take down an evil empire in their flying ships. Oh and rescue daddy. And get sage advice from an older veteran. Oh and act like a bunch of idiots along the way.

So I had no idea how bad Iron Eagle actually is. I had a level of expectation that it was mostly dumb and corny but WOW Iron Eagle is over-the-top stupid. I mean its hard to describe. It truly has to be seen to believed. Between the plot of a teenager likely bringing about WWIII while rocking out to Queen to flying through Beggar's Canyon in a deathrace to Jason Gedrick's constant deadpan in the face of death AND bad grades, you can just read what a stinker this thing is.

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Nicole Eggert goes part Robocop, part Wolverine, part Deadpool and all terrible in this cheese-fest from the 90s dark action bandwagon, while also managing to cram in Richard Grieco's true acting ability and still managing to be somewhat boring.

This is another movie that has all the things that are required to make a bad movie awesome yet isn't because of the filmmaking elements of the time. The feel and tone of the film bogs down all the awesome crap that happens. Its like a delicious donut served only with Metamucil. Boy, you want to enjoy the donut but your stuck drinking your geriatric medicine. Do you pass on the whole experience?

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Two former Knights Templars (however the plural of that works) roam "The Far East" in a vague period of time bust up a usurpation of the kingdom by moping, doing opium, terrible battle plans and becoming Caribbean pirates. Tempyarr!!!

What you want to come here for is the bad acting and the incredibly stupid character decisions. As one could predict, Hayden Christensen is not good. Surprisingly, he's far from the worst. Unsurprisingly, that award goes to Nic Coppola. Look, here's on set for about 3 days. At some point, he went into his trailer for 30 minutes, came back out and then told the director that his character should transition into a voodoo pirate. Well even if one could agree to those terms, Nicolas couldn't because his Yarrr! pirate fades in and out even within the same set of dialogue. Outcast has to rank as one of the worst Cage has even given us and the number one reason to show up to watch this film.

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Rudy Ray Moore dons the person of Dolemite who may or may not be a pimp, but is definitely awful at karate. In one of the most unique bad movies we've ever reviewed, Dolemite is unforgettable.

The major thing that is unique is that at least 90% of the cast is completely stoned. No one is drunk. Which is strange in a strange way. Why are bad movies usually filmed with drunk people but very rarely filled with everyone that is absolutely blazed. It makes for a very unique take in a bad movie.

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Race car (and man of assorted skills) Blaine Striker invades the tiny island of Santa Heron to team up with the local PhD candidates to take down a very drunk Oliver Reed's nasty plan to repeat the Cuban Missile Crisis. Shenanigans ensue....

Rage to Kill is about as VHS 80's icon as you can imagine. It's the perfect film to have gone into your local tape rental store (the good ol days), go to the action section, judge movies only by the box the tape comes in and keep your fingers crossed that you didn't get a snoozefest. What you instead get here is a bonkers plot, drunk actors, sexy coeds with guns, Russian missiles and many explosions that don't line up.

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A tournament to the death turns into a strange drug heist eliminate the middle-man plot, all to the backdrop of a chesty-karate lady falling for the man who murdered her sister, one Darby Hinton.

Firecracker is as good as bonkers Philippines movie as they come. None of it lines up but it's all non-stop entertaining. We should start by paying homage to the musical score. Without the score, this may be an entirely a different monster and possibly draggy in stops - although it should also be noted that the score was straight stolen from another New World Pictures project.

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Chaz is back and with the help of Michael Biehn and Billy Paxton, sends seven guys in to blow up some moderately dangerous weapons, comes back with only four guys and commits ineptitude and crimes against humanity along the way. Recruitment has never been so good, right?

Wow, is Navy Seals a terrible representation of America's top elite fighting force. I mean, if this is how things really are, help us all because bad things are going to happen around the world. Nothing here makes the viewer say to themselves, "Hey, those guys are doing a good job. I should join up." Now, all our libtard "war is bad" attitude aside, these guys are completely inept. They take the hardest route to do the most mundane of tasks and end up getting most of them killed with each step.

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Rambo rides off into the sunset (or dies in a pool of blood) but takes many, many, many people down with him on the way. It's a bloody, sticky, mess that will fall into the either love-it or hate-it folly.

So let's get this out of the way first - Rambo: Last Blood looks like absolute crap. Whomever shot this should be sacked. Very few shots look even as good as most DTV films and each vehicle scene features completely unnecessary rear-projection. Why in the hell does this have to look so awful?

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Banning comes back once again to save the President once again from an assassination attempt where not everything is not as it seems once again. It's the number one movie in America, but is it enough to keep the Banning franchise alive?

Make no mistake, Banning 3's plot statement above is the same as the other two but this film is a departure from the other two. Where the other two are a thin plot stuff around ludicrous action scenes and Banning eating the flesh of his enemies, this one mostly has Banning on the defensive and reacting to the violence around him instead of reveling in it. And while the villain is a complete moron (we'll get to that later) there's nothing really stupid that takes place in Banning's world. Let's put it this way - if there were no Banning 1 and 2, Banning 3 wouldn't be on the podcast. It's just a solid (if forgettable) action movie.

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The bald bros are back minus the biggest bald bro, so the bald bro stock is down! The 2/3 of the bald bros are forced to team-up to stop Thanos from killing everyone while learning about super-powered villains, love and friendship and forget about family, Vin Diesel and cars.

While there is a myriad of problems with Universal's fingers in their big franchise (of which there is many fingers) the team behind the action do a great job. This film is shot well, very well choreographed, has some genuinely funny cameos (that normally would have sucked ass), and some great film-making contrasting the two leads.

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Dolph disguises a buddy-cop movie as an terminator movie. Inside you'll learn that the most deadliest weapon in space are compact discs and all aliens have male-pattern-baldness.

Dark Angel AKA I Come in Peace is absolutely bananas. It's so full of action sequences, explosions, aliens chasing each other, one-liners, and a crazy plot where people's brains are drugs in space. It's riddled with buddy-cop cliches, the new partner that does this by the book, an ex-girlfriend that also works in the same circles, the chief that wants his badge, etc... all while giant alien guys are exploding everything in the city with mega-weapons. It's fantastic.

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Dolph grabs onto a couple of nukes and uses them to turn his shirt into a sleeveless job. It's The Rock all over again with better acting, better stunts and better action sequences - and it still stinks. 

We won't dig too much into the plot here because it's legit just The Rock within a missile silo. What we want to talk about is the incredible amount of stinker staples delivered. There's no sploding chopper but there's pretty much everything else. Dolph's 1-liners and overflowing from his cup and they are all A+ cheesy goodness. The amount of stunts and the level of production put into these stunts while wrapped around a really close example of the idiot plot is astounding. The production design is a blend of surprising and terrible. The script is bonkers bad. There's a little here for everyone.

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Sometimes a studio puts too much talent behind a terribly stupid movie. Sometimes there's some subtle social commentary that sneaks into the script and then has the competency behind the camera to accurately capture those topics. Then you have action guys who just like to blow everything up. Welcome to Men of War.

I absolutely adore this movie. It suffers from the Idiot Plot, yet has some level of emotion behind everything it tries to achieve. It's like a mashup of Forrest Gump/Platoon and Deadly Prey. Everything is shot well, the location is fantastic, the dialogue is sharp.... until Dolph gets to deliver some one-liners.

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Andy Sidaris once again dials the nonsense up to about 50 and matches that number with topless women. This time the LETHAL team has to deal with some internal double-crossing or triple-crossing, we're very confused on how many crossings happen here. 

We've seen that a lot of the reviews online for the 4th film in the LETHAL collection (this one proves that Seven is part of the franchise) that this one isn't good. There's no giant snake gimic, not as crazy stunts, and a much crappier version of the Malibu Express. Those points are all correct however, this is still a great time and as far as we can see has only one extreme drawback - the continuing degradation of the Abilene's in quality. Travis Abilene is the worst. He's just scummy. The actor belongs on the bad guy team - not among the coolest guys of all time. He stinks.

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From Wakaliwood comes Uganda's first action movie! This is Uganda! Yeah Yeah Yeah Okay! Commandos! Tiger Mafia! Tiger Mafia Commandos! VJ Emmie on the mic! So yeah, we make fun of it.

Who Killed Captain Alex is one of the cleverly disguised as crap, but actually smarter b-movies we've reviewed on the show. We found the plot to be fairly conventional while watching the movie until the last 3 frames and we released that we had been duped. This was no common hyper-budget action movie. Nothing out of Vietnam, Philippines, or Mexico writes like this. Its absolutely riffing on the entire genre in the vain of The OP, Turbo-Kid, and Jesus Christ: Vampire Hunter. The hook is so subtle despite it being the title of the damn movie.

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Robert Mitchum's kid freelances his way into a "get the ninja tape" situation and into Janet's heart all while being WAY above the law and murdering many innocent people. Expect some shenanigans in this super-budget movie out of Indonesia.

One of a kind in it's repetition and recurring themes, American Hunter (Lethal Hunter in Europe) is a classic super-budget action film with very poorly thought-out plot elements. Behold the final list of incredibly weird repeating onscreen events: