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Three precocious scamps team-up on a journey across the Western US to get little Jimmy, a misdiagnosed kid with a heart of gold, to the ultimate video-game tournament, Video Game Armageddon. Plus Christian Slater and Beau Bridges share a hotel room. Is this movie TOO sexy?

The Wizard falls into our "bad movie debunked" category of films - wherein the film has been raked over the coals by critics yet, we can't understand why. Sure it's got some sub-par technical work with some over-exposed shots, mediocre compositions and spotty focus. Sure it's clear that someone did a bad job with the editing scissors and sure it's likely that person with the scissors did the best they could because they shot 2.5 hours worth for a damn kids movie. But really those quibbles pale next to the content.

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Race car (and man of assorted skills) Blaine Striker invades the tiny island of Santa Heron to team up with the local PhD candidates to take down a very drunk Oliver Reed's nasty plan to repeat the Cuban Missile Crisis. Shenanigans ensue....

Rage to Kill is about as VHS 80's icon as you can imagine. It's the perfect film to have gone into your local tape rental store (the good ol days), go to the action section, judge movies only by the box the tape comes in and keep your fingers crossed that you didn't get a snoozefest. What you instead get here is a bonkers plot, drunk actors, sexy coeds with guns, Russian missiles and many explosions that don't line up.

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Truck is coming for justice and vengeance (if that's possible). He's got a big hand cannon. He's got big shoes. And he ain't taking no crap from no back-talking pimps. So grab your ass, and prepare for the most badass movie we've reviewed.

Truck Turner is super-badass. From the soundtrack to the clothes to the dialogue to the plot to Yaffett Cotto to the cinematography it's got it. It comes in buckets and waves of badass. It's dialed to 11.5. It's a 90 minute quarantine with only one partner - badassness. This movie is badass.

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Some little dudes who clearly aren't actual Ghoulies warp into our dimension again to do...something... All while the guy from the first Ghoulies is still dealing with his demon summoning past and his obvious hot-chick magnetism, despite now being one tough cop.

So the first thing that should be noted is that there are no ghoulies appear in this film. We're told that there is ghoulies but these are clearly not ghoulies. And there's only two of them. And there doing very not ghoulie things. We think they likely were not warped in from Purgatory but from Nilbog.

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A tournament to the death turns into a strange drug heist eliminate the middle-man plot, all to the backdrop of a chesty-karate lady falling for the man who murdered her sister, one Darby Hinton.

Firecracker is as good as bonkers Philippines movie as they come. None of it lines up but it's all non-stop entertaining. We should start by paying homage to the musical score. Without the score, this may be an entirely a different monster and possibly draggy in stops - although it should also be noted that the score was straight stolen from another New World Pictures project.

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Clint Howard delivers ice cream and one liners as a murderous Schwann's delivery guy. Is he the Pied Piper or just every other ice cream man? With top cops, Jan Michael Vincent and Lee Majors II on his case, how can he possibly get caught?

While we're not entirely sure what this movie is, we can tell you one thing - it's a lot of fun. It doesn't rise to the so bad it's good level that Troll 2 does, but that's likely to Clint Howard being too talented - but it definitely falls into that same category and tone. The two would make a great double feature. 

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Nothing says box office magic like a contractually-obligated lead with zero acting experience teams up for a teen sex-romp with no teens or sex with 50-something moms as the target market.

Surprisingly, 2 of 3 Stinker Madness hosts say this is a do. They say that its just so bad that it comes back around to being watchable and a must-see for bad movie fans. They say that there's enough bad dancing, terrible costumes, horrendous songs, and enough hovercraft deaths to keep one engaged. They say..well who cares what they say - they aren't writing this crap.

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Chaz is back and with the help of Michael Biehn and Billy Paxton, sends seven guys in to blow up some moderately dangerous weapons, comes back with only four guys and commits ineptitude and crimes against humanity along the way. Recruitment has never been so good, right?

Wow, is Navy Seals a terrible representation of America's top elite fighting force. I mean, if this is how things really are, help us all because bad things are going to happen around the world. Nothing here makes the viewer say to themselves, "Hey, those guys are doing a good job. I should join up." Now, all our libtard "war is bad" attitude aside, these guys are completely inept. They take the hardest route to do the most mundane of tasks and end up getting most of them killed with each step.

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A couple trash-cans team-up to assist in the destruction of many soulless husks all on a mission that is never stated all so the villain can become Dante and rule all of hell from inside of a Cylon.

While that sounds absolutely nutty, we hope that you're able to get to any of those points because this movie's primary problem is...zzz...zzz. Oh I'm sorry, just thinking about this film put me to sleep like warm milk. It's painfully boring. Once you get past the excellent model work (that doesn't have enough shots), the spectacular theme by John Barry (which you're done with after the first 3 times you hear it) and Robert Forster just being Robert Forster (a damn pro), you're left with endless exposition, painful banter between the robots, a completely up-his-own-ass villain just for the sake of it and tedium. Endless tedium.

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Charlie Sheen puts on his tough guy face and then realizes he still has that Charlie Sheen face, so he runs with it. Here Topper Harley gets a little too close to the edge, in much hilarious fashion.

So the film's plot (while LOOSELY based off the real life Dan Black) is a pretty conventional "cop goes undercover and almost goes over the point of no return" but the manner in which its delivered makes for a pretty solid LOL time while adding in a lot of room for riffing. There's this juxtaposition between going dark and goofball humor that completely conflict with each other, making a weird tone to the entire experience. 

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Once upon a time in Hollywood, we made movies around soundtracks and the movie took a second place in effort. At the height of that craze, we were left with this malarkey and the legend of Chris O'Donnell was born.

Let's get this out of the way; we've come a long way since swashbuckling was big and there's good reason. It stinks. Think of watching Henry Cavill mess a bunch of guys up in an alley during the first season of The Witcher. It's badass. Swashbuckling is not. "Yes, but the kiddies can't exactly watch The Witcher split a man's head in half with a silver sword, now can they? Oh wise podcast critic! Haha!" Charlie Sheen might say. Ok, well then think of Viggo Mortensen fighting orcs at the Battle of Helm's Deep, you winning bastard! Swash-buckling is a complete waste of time.

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It's bonkers-bad, sure. It's basically kitty version of Logan's Run, sure. It's got a cat-orgy scene, sure. It looks like crap, sure. But what the heck is the difference between this and the stage play? What did you people think was gonna happen here? Also Tay-Tay blows ass here.

Guys, it's just Cats. The stage play IS this bad. It's all crap. If you hate the movie and love the play, then put your head in a microwave if you can pull it out of your own ass. What did you want here? In fact, you should LOVE the movie because it's even MORE of the crap that you love from the play. Get the hell out of here.

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MERRY GARBAGE DAY! Eric Freeman earns his mark in the Stinker hall of fame in his eyebrow-tastic take on the Santa-obsessed killer maniac. If you can get past seeing SNDN 1 as well, you're in for a wild, holly-jolly horror film.

Let's be frank, there's not enough good crap in Silent Night, Deadly Night 2 to make it a cult hit on its own. It's the combination of the masterful Eric Freeman and Ricky's insane rampage that makes the rest of the film not matter and send it into many, many fan favorite "Christmas" cult classics. Eric's performance stands among titans and belongs among the elites of Tommy and Connie Young. It's beautiful.

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Boardroom Santa! Ever been really into the business of Santa? Have a passion for Operations Management? Got a degree in holly jolly marketing? Wear a tie with your pajamas? Well this movie is for you! Just not for anyone else.

For the rest of us Santa Claus: The Movie is about as interesting as a government made educational training video. Its just painfully boring. "Santa has a meeting with Jeff and Susie from accounting! Oh boy would I like to see that!" he said sarcastically. "The elves meet in the conference room for a call with the supply department! Wowee!!!!" he said while shoving his head in trash.

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Good ol' Terry Hogan becomes Santa the Vigilante and fights a group of scientists who want to demolish an orphanage and then proceeds to do all the demolishing for them. Good job, Santa!

Santa with Muscles is bottom 100 material yet it's surprisingly fun. However, I can't really tell you why. At no point is anything so bad that its good. The action is all kind of meh, the set pieces are all underdeveloped, the villains never really enter the realm of over-the-top hammy. It's ALL super stupid but there's just something kind of nice about the whole viewing experience. It's just a weird little piece of garbage that's a "do" but can't really be explained.

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It's a truly baffling experience that is nearly impossible to dissect but does feature a bevvy of bonkers content from start to finish. Arguably, no other movie is so far from being grounded in reality that this is an absolute must-watch for fans of nonsensical plots.

With any mention of The Peanut Butter Solution, it can't be understated how bonkers the plot is. Essentially a child goes into a haunted house, gets so frightened that his hair comes out and then goes on a quest to get his hair to grow back. That all sounds fine and good for a Saturday afternoon made-for-tv kid's movie but this pile is SOOO much more than that. While it really can't be written here, the plot is absolutely unfathomable and is completely off the rails.

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Inside lives a truly great film that delves into commentary about what it means to be a leader, the sacrifices one must make for their people, that no one should be judged by their appearance, and that anyone can truly be great. Unfortunately, it's all thrown aside for the sake of groan-inducing hi-jinx and jingoism. Yay....

King Ralph is a debacle. It's a horrendous stain on film-making and for only one reason - the "comedy". Imagine a mash-up of The King's Speech and C.H.O.M.P.S. and then throw your popcorn into the toilet and replace it with burnt toast. That's your cinematic viewing experience here. It's atrociously annoying, horrendously offensive at points and trips over it's own wit to pickup a pratfall. Expect your living room to be as silent as all of England when they learned Hollywood planned to eliminate the entire Royal Family in effigy.

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Rambo rides off into the sunset (or dies in a pool of blood) but takes many, many, many people down with him on the way. It's a bloody, sticky, mess that will fall into the either love-it or hate-it folly.

So let's get this out of the way first - Rambo: Last Blood looks like absolute crap. Whomever shot this should be sacked. Very few shots look even as good as most DTV films and each vehicle scene features completely unnecessary rear-projection. Why in the hell does this have to look so awful?

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We all love babies right? Now what if we replaced babies with 6 year old kids with stunted growth and pasted their heads onto the bodies of little people? No? How about some CGI lip-syncing so they can talk? No? Ok, well how about stuffing a child actor into a bin of soiled undies? Yes, please.

So Baby Geniuses and it's followup are two of the lowest rated movies that have ever existed, despite the overwhelming amount of fake 10/10 reviews on IMDB, it still was a box-office smash. Why? Because people love babies! Babies can do no wrong! Even when they are covered in dookie, murdering bums, imitating John Travolta and keeping the secrets of life to themselves out of selfish dickery!

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Freddy is back and this time he lulls us to sleep with whale song and LBGTQ social commentary! It begs the ultimate question - does Freddy actually appear in this movie?

Freddy 2 is an absolute bonkers experience and through-out is a complete and utter-turd. At no point does it make sense that it was a commercial success and likely should have destroyed the Freddy franchise (and thus would have prevented the LOTR trilogy from happening) but somehow was a massive win for New Line and kept the doors open for another ten years. I guess that really states to the allure of Mr. K.