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Neil Breen is back in his directorial debut with this week's trip into the mind of a crazy person. He stars as a double-agent, elite mercenary, computer hacker/security expert, bio-terrorist, cyborg, assassin/vigilante, and just a simple man. It's a Neil showcase into baffling story-telling, yet again.

While Double Down is not near the production that Fateful Findings is, it is still an exceptionally bonkers movie. Nothing makes a lick of sense. It's the type of film that leaves you wondering what the hell is going on throughout. While we have a likely infallible theory on what happens, you'll have to listen to show to find out.

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Once again, we find ourselves "going into the internet" with the incredible speeds of a 28.8k connection. Yet the overt difference here is that there is a wet-t-shirt contest and a mash-up of snowboarder, 'alt' and irreverent fashion trends. It's the clear road-map of not understanding computers, the internet or anyone who surrounded themselves with both of those things. Yipes!

Hackers were never cool. They were never edgy or trendy or care about anything but computers. We were computer nerds in 1995. We only cared about putting Duke Nukem 3D on as many computers as we could find. The characterization of this film is so far from reality and its disconnect from what was actually going on that it's just unfathomable. That's even before we determine how much we hate the characters themselves....

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A group of trash vampires waste their immortality so that they can focus on their location-rotating fight club that has less rules than Tyler Durden's. The only thing that can stop them - horrible karate, bullet dodging DEA agents, and post-production effects that are just the presets in Adobe Premiere. Yuck!

Let's get out the disclaimer on this one - it's extremely budget and put together by people who have no experience in film, but hey! They got it done, right? They got their movie finished. So we'll give them that.

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It was Schwaz' first box office flop and put up the current standard of spending way too much money on film marketing. It ranks high upon the worst returns of all film history. Yet there is a good film here and could have been a hidden gem -- had it not been for Danny and coming into "our world."

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Dennis Rodman returns in the form of a bumble-bee to plant the foundation of the XXX squad, by making Dane Cook the CEO. Its truly in the list of worst action movies ever made and could be the gold standard for enjoyably dumb action movies...if it wasn't for Dane Cook.

Dane Cook blows. You know this, so we aren't going to devote time here to review his schtick - what will do instead is warn you that he is truly at his least formed here, with the most "punch me" act ever captured on celluloid. He's worse than Jar Jar. 

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Nothing says "screwball" comedy like professional basketball in the late 70's. So why not have a film about a terrible team that becomes great via the powers of astrology? Toss in Dr. Julius Erwing, Kareem Abdul-Jabar, Meadowlark Lemon and repeat stinker stars like Branscombe Richmond and Julius Carry III and you've got some loonie business that is right up our alley.

On paper this film should be one to steer clear from. Even just watching the trailer is enough to give casual viewers of crummy films the heebie-jeebies. Yet somehow there is a serious level of charm to this film beyond the obvious live-action WB cartoon version that Jonathan Winters was shooting for. There's a seriously well blended volume of comedy of all types that award both fans of basketball and those that loathe all sports.

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Stallone gives us further evidence he didn't write Rocky as this screenplay serves us up with some of the worst dialogue and biggest head-slapping action sequences we had in the 90s and THAT's really saying something. Also...there are 0 cliffhangers. 

Somehow critics have been quite pleased with Cliffhanger as evidenced by a 69% on RottenTomatoes and 60 Metacritic score. How that happened is one of the biggest surprises that this film offers up. Don't confuse yourself - this thing is enjoyable for sure but it is as dumb as anything. It's Roadhouse dumb. How any professional film critic could give this a positive review and put it alongside films that try to make statements and be true art and then look themselves in the mirror is confounding. So this falls right into our "Good Movie Debunked" category of film review.

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It's Sean Connery in a man-diaper with bullets. It's a genderless Utopia while showcasing knockers. It's a whirlwind of confusion and questionable film-making decisions. It's a serious mess covered in psychedelia while making some heavy, heavy, heavy social commentary. Get ready for your mind to be melted.

Imagine you've got Zardoz in mind and you sit down to write it. "Open on a gun-barfing god's floating head." Then try to go from there. Zardoz is just bizarre in how it decides to get to were it needs to. It may have been John Boorman's intention to distract the viewer with the weirdness so that when he reveals the plot and message to the viewer they weren't prepared for it. Along the way though, wow.... You might have your brain turn into rubber and question the use of your weiner/vaginer.

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"Let's take the barbarian guy out of his world of fantasy and put him in our world of taxes and endless advertising," said a man in a tie once or twice. Unfortunately, for said tie guy, no fan of film has ever said, "Yes I want that." Yet this travesty of the genre still attempted to woo audiences by sending the Beastmaster into Los Angeles so we can watch what happens when he wants to get pizza. Hooray!

While the premise of this film is one that typically infuriates fans (see Masters of the Universe and Jason Takes Manhattan), Beastmaster 2: Through the Portal of Time pleases from end to end. It has some sort of charm that doesn't make sense. The jokes are total crap. The acting is painful. There's no boobs. Yet somehow it all adds up to shenanigans that simple entertain lovers o' the stupid.

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He's a blue-collar Batman, that comes loaded with super-strength and a compassionate, pacifistic outlook. Slap on a bunch of not-bulletproof metal armor and give him a hammer/gun and Oracle (from Batman) and you've got Shaq looking pretty doofy.

So it stinks, sure. But we think this film is abused a little too much. It's currently at a 2.8 on IMDB and a 1.4 on Letterboxd. That puts it below Batman & Robin, and Catwoman. It's not even close to that bad. By your standard movie goer rating scale, this is just a 4. By our standards, it's a little higher than that. We make no claim that it's awesome but in no way is as awful as Catwoman. It's just a shitty movie.

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When your mom has a beard on her knee from a man who may or may not be your dad or Santa, you're best option is to obsess over Christmas until you're in your thirties and then you go all Buffalo Bob so that you can become the actual Santa. Not just copy cat. Actually Santa.

Christmas Evil is arguably one of the strangest Xmas films ever created. It was made a time when horror movies tried to play on any holiday and the jingly time was no different. See (but don't watch) such films as Santa's Slay, Santa Claws, Don't Open til Christmas, Black Christmas, etc... However there's a complete banana-factor to this feature.

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When you think of the holidays, you always think of Arnold Schwarzenegger. Maybe you just think of Arnold all the time. Which fits perfectly into the Xmas spirit theme for this film -- don't learn any lessons of Christmas, don't change how you feel about life and commit heinous crimes in the search of consumerism that you fail to accomplish.

Beyond how unbelievably bad it is overtly, I mostly want to talk about its failures for being a Christmas movie (as is tradition for our holiday specials). The primary problem here is that it can't even be an Xmas movie. It's a movie that takes place during Christmas (kiss my ass, all who say Die Hard is a Christmas movie), but it fails to achieve any Spirit of Christmas themes (hell, even The Star Wars Holiday Special manages that). 

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Before he was the US Ambassador to Kim-Jong Un, Dennis Rodman had a dream of being a big Hollywood actor. The path to victory? A movie where he fights tigers, exploding babies, references that aren't related to basketball and U.N.C.L.E. Oh yeah, JCVD is there too.

Double Team is silly in the same vein as any Cannon/Chuck Norris joint. There's a reason that major action movies died for almost 20 years (thanks Fast & Furious franchise) and this movie may have been a huge part of that decline. JCVD led the 90's in super awesome punching bad guy films and here in 1997 film-goers were willing to say "I've had enough of that". A plot that doesn't make any sense, horrific editing, and too too too many basketball related jokes just put them over the edge.

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Spectacularly over-rated director M. Knight Shyamalan gives us his vanity piece in the vein of Neil Breen and Tommy Wiseau and not only shows us he stinks at film as badly as they do, but that he's a giant, narcissistic, arrogant, terrible person. Good job!

So it's a fairy tale that involves water people called Narfs, who want to help mankind solve their problems. Standing in the way is their lack of sense of meeting people and a solo grass dog, but also the rules of being eaten by one of Gandalf's eagles. Ok... Now we know that if you look too deeply into most fairy tales, you'll find plenty of problems within the logic and that's fine. However, that is not what this jackass is trying to get us to not do. He tries to put forward some moral about man's desire to destroy itself without some sort of altruistic outside influence as a vehicle to change. What he succeeds in, is to say that he is the greatest story-teller ever to live and if you feel differently you should be eaten by a monster green monster.

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"Don't do down that path, yah", the strange drunk man with dubious ambitions said to the new residents. Later he would take them on a wondrous adventure to bury a kitty-cat that he himself murdered. It was the strangest thing that week until the dead son came back as Little Lord Fauntleroy with super-powers.

Pet Sematary is just another in a long line of Stephen King movies that raked in the cash but not one theater attendee bothered to pay attention to what was happening on screen. The entire plot is bananas (and falls squarely into "the idiot plot") but that's the least biggest draw for fans of our show. It's all the elements around the plot, ie. the truckers who are clearly trying to break speed records, the undead cat that is just like any other cat, Gage acquiring super-powers upon being reanimated and that the family never asks "Who the hell is this Judd Crandall guy anyways?"

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Here's a fun concept. Let's put together a film with heavy sci-fi elements and themes in the vein of Twilight Zone and mash it together with a poorly motivated romance and have John Travolta stare at trees for the majority of it. That sounds like punishment.

Guess what though? It killed it. The box office loved this film despite the critics apprehensions. Flocks of people wanting to see some feel goodie type jobbers fled to the theater thinking that John Travolta was making a huge comeback (it was over 2 years later) and that he was good at acting as he did great at looking confused in Pulp Fiction. 

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We wrap up our Spooktober with a staple from a staple franchise and one of the strangest big box office horror films ever made. This is just a strange film starring "Jason" with lots of head choppins, boobs and a cast of some pretty unusual characters.

So Jason V is one weird film and frankly astounds that it ever frightened anyone...even children. It's seriously gentle in its horror, the plot is not frightening, Jason is not intimidating, and the gore is pretty mild. The MPAA really didn't help out this film at all as it's seriously cut down.

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Cat people. It's a movie about cat people. Written by horror master, Stephen King, it's arguably the most comedic horror film ever made. You thought Dreamcatcher was rife with errors...buckle in, folks.

Sleepwalkers is absolutely bananas. We'll just say right now that this is a must-do film for fans of crummy movies. It's a laugh riot. For instance, let's just put it out there that the chief action star of this film is a house cat, named Clovis. Clovis rivals Chuck Norris, Schwaz, Stallone and Van Damme in the pantheon of 90s action stars. I'm not joking.

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It's a film that really can't figure out what it is trying to accomplish, other than showing some weather-related destruction and Gerard Butler talking out the side of his mouth. It's arguably the most anticipated stinker of 2017, does it hold up?

*Spoiler Alert - There are no Geo Storms in this film or geostorms*

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It was one of the biggest horror movies of the 2000s and created an entire style of film-making on the cheap for such studios as The Asylum and Blumhouse. So that should mean its good, right? Wrong. Saw stinks on ice. Happy 300th episode to us, I guess.

Where to begin with the problems of the film? Well lets actually start with a compliment. It only cost $1.2 million. Could they have used the money more wisely to make a better film and still raked in the cash? Absolutely.