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Robert Mitchum's kid freelances his way into a "get the ninja tape" situation and into Janet's heart all while being WAY above the law and murdering many innocent people. Expect some shenanigans in this super-budget movie out of Indonesia.

One of a kind in it's repetition and recurring themes, American Hunter (Lethal Hunter in Europe) is a classic super-budget action film with very poorly thought-out plot elements. Behold the final list of incredibly weird repeating onscreen events:

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The US Dept of Treasury hires an ATF agent and some "Army guys" to protect $600 million on its way to a giant paper shredder. Then some baddies try to steal it. Set to the backdrop of a physically impossible hurricane. The only thing in their way? A weatherman and is mechanic brother. Too early to whisper SMABFA?

This movie is crap. Whether its enjoyable crap is a topic for debate, which we'll get into, but it's absolute crap. Fans of bad movies MUST see this film. It's astounding that we are still making screenplays that are this terrible. At no point did anyone bother to open a book to check out how hurricanes work. So the science is impossibly bad - like Armageddon bad. Yet, the science is not as bad as the plot. You guessed it, we're facing another round of the idiot plot. Both sides (good and bad guys) go out of their way to ensure the plot exists against their own interests. Stuff that next to atrocious dialogue such as:

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Dwayne is back into being the charming, super-ripped, former Special Forces, who has more ability to punch a monster in the face than follow social norms. This time he's playing the role of 15th guy from the 4th level of the original video game. Plus 3 monsters destroy Chicago and Don Jr. makes his acting debut.

Thanks to the incredibly bad decisions of corporate scientist CEOs (whatever that is), we are treated to three genetically mutated former critters that eventually get to big and start smashing crap. You can imagine what that's like. So let's talk about everything else.

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Some people have no business making movies. Some people who have no business making movies REALLY have no business making animated movies. Foodfight! is a travesty. The UN should have sent inspectors into the production and placed sanctions against it. The Canadian Army should have liberated the people working on it from their captors. It's that bad.

Ok, so we know it's really bad. The animation is atrocious and the jokes are cringe-worthy. That's all been said. Let's get into this a little deeper.

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Like that weird kid that doesn't look anything like his parents, you may be thinking he's a weirdo and should be avoided. But then you bump into him at the punch bowl and realize he's one cool dude. That's Deathstalker II.

Once again, Jim Wynorski shows the world why he should be at the top of the list of directors who make budget films. While most similar directors are given a project like this and just crap it out for the paycheck (I'm talking to you, anyone who works for The Asylum) good ol' Jim is told to make a Conan-knockoff and then makes a buddy-copesque screwball comedy with lots of adventure and shenanigans. Jim is the DaVinci of crummy movies.

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Once upon a time, a teenage girl got some tampooooons thrown at her and a British dessert poured on her. Twenty-three years later, a teenage girl gets caught up in a web of consensual teenage sex and becomes the most popular girl. Thankfully "Teen Witch" only ditched her friends when her powers manifested.

The Rage suffers from what we like to call "The Non-Existent Plot". The plot can't exist under the rules of the film itself - under scrutiny. At the same time, they manage to cram in the "Idiot Plot" as well. As one can predict the film attempts to follow the same lines of Carrie (1976) where a teenage girl with uncontrollable telekinesis is pushed to the edge and strikes back against those that are doing her harm. HOWEVER, this one falls flat on trying to make the audience identify and sympathize with the lead OR even the villains.

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With Jackie trapped inside a living hell called Winnemucca, Justin and Sam sit down to discuss everything martial arts. Inside we discuss our Top 5 Martial Art Movie Guys and then a look into The Sho Kosugi Ninja Theater with reviews of "The Dumb Boxer", "Ninja 8: Warrior on Fire" and "Ninja vs. Ninja".

Plus we'll wrap up the tale of Gary Devore! Was he a spy? What did he know? We go into the possible cover-up into the death of one of the best crummy movie writers in film history.

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Arguably the most unique of post-apocalyptic films and Cannon Group's darling, it's also one of the most under-rated budget films of history. This is a big deal folks and 2/3 Stinker Madness host's favorite b-movie.

PA films commonly suffer from their own existence. Most only take place in a "nuked" world because, welll... the desert is just right there. So they shoot this crappy $0 action film in a post-apocalyptic world because it's super cheap to do. The world they live in isn't even the focus. Then tack on a bunch of b-movie tropes (cars with random crap bolted on it, skimpy lady outfits, the chef-d'œuvre usually in the form of a head coming off or exploding at some point) and you've just got a bunch of people chasing each other around in the dirt. Whoopee!

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Steer clear of the police in Las Vegas in 1988 is the absolute message of this super-budget gem of a tough cop movie. Penalties for being alive are getting kicked in the face while walking down a hallway and being beat to death while sitting in a chair.

Hawkeye (1988) is a film that does not showcase the talents of a guy with a bow and arrow. It instead showcases the talents of a guy who is not Eddie Murphy and a guy who likes his Guess Jeans butt a bit too much. The matchup of Chuck Jeffreys and George Chung is bad-movie comedy gold. They are ridiculous, horribly corrupt, and clueless in all aspects of life. 

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To the disheartening of many fans of the book series, men in ties decide to make a dragon movie without any dragons in it and decide the story is too confusing so they just remade Star Wars. Beware the powers of the dark side of jelly beans!

If you're like us and have never read the Eragon book series, then you'll arguably have less problems with the divergence (that wasn't an accident) of the source material from the pre-teen books to this flaming pile of nonsense. It's a necessary position to look at the 2006 film objectively. We don't know the back story and the subtle elements of the world that this takes place in (if there are any) so don't come at us, bro! And in any situation, none of that should matter - because Eragon the movie, at least, doesn't suffer from it's abandonment from the source material - it suffers from the direct theft of OTHER source material.

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It's been four wonderful years of bringing you the greatest bad and cult films, all while having some pretty important discussions on craft and farts with plenty of laughs along the way.

This episode we recap our favorite movies we watched in the previous year of podcasting. Each host catalogs their top ten and hope that you can find some extra time to watch each and every one of these movies. This episode we recap our top 4-1 choices, along with our favorite 3 movies of 2017.

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It's been four wonderful years of bringing you the greatest bad and cult films, all while having some pretty important discussions on craft and farts with plenty of laughs along the way.

This episode we recap our favorite movies we watched in the previous year of podcasting. Each host catalogs their top ten and hope that you can find some extra time to watch each and every one of these movies. This episode we recap our top 10-5 choices.

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Somehow we've managed to stay clear of Linda Blair, which is strange because she's very easy to bump into. Here she's showcasing the gals, while running a gang of gals, and find revenge (eventually) after taking an hour and fifteen minutes to be pushed over the edge.

Somehow Savage Streets manages to be a mashup of about every 80's budget genre. It's a slasher, a sex-romp, a revenge jobber, and a roller-skating boogie in the vein of Grease. Yet it manages to miss being a Romeo & Juliet, a vigilante justice story and Dangerous Minds. It's pretty bizarre in how much territory it covers while failing to get to the plot for one hour.

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The film that finally puts two things together that no one asked for, no previous commonality, no established universe, no real similarities, and no capability of accomplishing something someone might label "good". Cartoons and basketball just don't go together.

Hot off the success of Roger Rabbit, well ok, not hot off. More like many years later....someone decided to mashup our reality with the physics defying world of Bugs Bunny. Now that possibly could have worked, if they had chosen to focus on that. But Space Jam focuses on the life and times of Michael Jordan, which has nothing to do with cartoons. Nothing. So the Looney Tunes take a back seat to MJ. Sure he's the greatest (LeBron?) but he's not what is putting butts in seats here. Otherwise you'd just have a film starring Michael Jordan. Come on...

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People that make TV shows, write a script in 72 hours while blasting through piles of cocaine, that showcases their complete lack of knowledge about making TV shows. It's Rip v Zeus in The Battle of the Tough Guys that can only end in one way.... murder!

Nothing can describe the (at that time) WWF in the late 80s like No Holds Barred. Hulk is the #1 guy in the phony man-fighting and his entire schtick is on display here. There's no difference between the character of Rip and Hulk Hogan. Imagine a film called "Morgue Work" starring The Undertaker who's character name is Mortician Jim. Rip loves the kids, he loves his family and he loves making snorting sounds....just like Hulk Hogan. Which leads me to believe that Terry Hogan had more to do with writing this POS then Vince McMahon. I like to envision Terry writing in crayon in a furor while McMahon murders prostitutes in the corner.

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Despite its satirical nature and heavy social commentary, The Running Man drops the ball (or the hockey puck) before the goal and trips into the net, bashes into the goalpost, gets the ball stuck in its facemask, and suffers multiple self-inflicted concussions. Well...at least it didn't murder it's ex-wife and her lover. WHOA!! TOO SOON!

1987's The Running Man is one of those "oh, so close" to being good films, but as we see time and time again, men in ties get in the way and say "We gotta ham this up! We got Arnold so its has to be stupid, right?" There is just enough left of Stephen King's novella in here that you feel like you should be able to see past the caricature of entertainment and find meaning in its messages. Time for some deep reflection, right? Well no. Time to slap your forehead in missed opportunity grief.

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38 Metacritic, 39% Rotten Tomatoes, 35% domestic returns, universally panned by all, a terrible idea that could never make money and its one of the best films we've reviewed. If you haven't seen Speed Racer, you are blowing it.

DISCLAIMER: Speed Racer is in NO possible way a stinker (other than it's reputation). It's absolutely crack for your eyeballs. It's pulse-pounding racing action and over-the-top fun, all while being genuinely funny, well told, competently acted and a great tale. At the very least, it should have won Oscar gold for special effects, editing, sound design, production design, and cinematography. So don't expect much lampooning here.

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When you need the toughest of tough guys to play your super agent and lone wolf defender of justice, get that Achy Breaky Heart guy. No man has ever been tougher! But make sure his girlfriend is the one that is the most "radical".

Here's the end result of Radical Jack; Jack is NOT radical, in fact. His most penultimate "action" move to hide under a bed. Not kidding. The film spends the first 3/4 telling us how tough Jack is, what with his smoldering gazes, his Ray-Ban shades, his supreme mullet, his "Renegade" Jeep, his barb-wire tattoo and such. Then we learn he's just not tough at all as he fails to be the catalyst and executor of the climax. It's DeeDee Pfeiffer who is indeed the radical one. "Radical Kate" should be the title of the film.

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Neil Breen is back in his directorial debut with this week's trip into the mind of a crazy person. He stars as a double-agent, elite mercenary, computer hacker/security expert, bio-terrorist, cyborg, assassin/vigilante, and just a simple man. It's a Neil showcase into baffling story-telling, yet again.

While Double Down is not near the production that Fateful Findings is, it is still an exceptionally bonkers movie. Nothing makes a lick of sense. It's the type of film that leaves you wondering what the hell is going on throughout. While we have a likely infallible theory on what happens, you'll have to listen to show to find out.

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Once again, we find ourselves "going into the internet" with the incredible speeds of a 28.8k connection. Yet the overt difference here is that there is a wet-t-shirt contest and a mash-up of snowboarder, 'alt' and irreverent fashion trends. It's the clear road-map of not understanding computers, the internet or anyone who surrounded themselves with both of those things. Yipes!

Hackers were never cool. They were never edgy or trendy or care about anything but computers. We were computer nerds in 1995. We only cared about putting Duke Nukem 3D on as many computers as we could find. The characterization of this film is so far from reality and its disconnect from what was actually going on that it's just unfathomable. That's even before we determine how much we hate the characters themselves....