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Hobbs and Shaw

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The bald bros are back minus the biggest bald bro, so the bald bro stock is down! The 2/3 of the bald bros are forced to team-up to stop Thanos from killing everyone while learning about super-powered villains, love and friendship and forget about family, Vin Diesel and cars.

While there is a myriad of problems with Universal's fingers in their big franchise (of which there is many fingers) the team behind the action do a great job. This film is shot well, very well choreographed, has some genuinely funny cameos (that normally would have sucked ass), and some great film-making contrasting the two leads.

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Convoy

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All of the truckers team up to drive down the road hauling goods and.... freedom? Let's try that again. A bunch of cops chase a bunch of truckers down the highway because of their flagrant....trucking? Ok, ok, ok. Got it - Truckers Truck!

Seriously the plot of Convoy is one of the most dubious we've ever reviewed. One might argue that about 20 minutes of the movie actually has a plot of outrunning the law who wants to kill a fellow trucker because of abuse of power and racism, but that plot lasts for only a brief period. Within minutes of that plot being put together, the film shifts into Forrest Gump running across the US with people joining him because they think he's got all the answers. At no point, does anyone have a clue why they've joined a mega-convoy of truckers and why anyone cares about them.

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Prom Night II

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Well hello, Mary Lou. So good of you to drop in and see me. Wait what are you doing??? Why do you have the powers of all the X-Men combined? Are you like an evil ghost Rogue? How do you work and what is your reason for existence???? Argghghgghghg.....gurgle, gurgle.

The above is a perfect summation of what each character should be asking the spooky-ghost or spooky-demon or spooky-ghost-demon that is Mary Lou, a 1950s prom queen who got burnt up like Freddy and lives in a suitcase for 30 years only to return and enact dubious revenge upon various 80s teenagers whom had nothing to do with her death. Why Mary Lou chooses to do anything she does is beyond us and where she got her spooky-powers is another problem. Lastly, we really can't even begin to decipher the ending in which Mary Lou gets (what the movie tries to tell us) everything she wants, only to pull a Jason and not be dead so that she can take a road-trip with the kiddies.

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Dark Angel

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Dolph disguises a buddy-cop movie as an terminator movie. Inside you'll learn that the most deadliest weapon in space are compact discs and all aliens have male-pattern-baldness.

Dark Angel AKA I Come in Peace is absolutely bananas. It's so full of action sequences, explosions, aliens chasing each other, one-liners, and a crazy plot where people's brains are drugs in space. It's riddled with buddy-cop cliches, the new partner that does this by the book, an ex-girlfriend that also works in the same circles, the chief that wants his badge, etc... all while giant alien guys are exploding everything in the city with mega-weapons. It's fantastic.

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Breaker, Breaker!

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Chuck Norris launches his career by kicking lots of people in the chest and calling in his truckin' buddies to run a town over - yes the entire town. It's about as weird movie as you can get and hilarious throughout. Come on back, big rigger!

Now you can probably guess how much trucking vs. karate there is in the film and how silly the the combo of the two working together looks on screen. So let's go past that and talk solely about the villainy. The plot revolves around this town that has gone off the deep-end and has essentially declared independence from the state of California. Fine. What their deepest flaw is that they have no idea how to be bad guys. Their evil plot is to hijack truckers, steal their tv dinners, eat the tv dinners, crush the $80,000 truck in a crusher, sell the metal for $200, make moonshine, dump the moonshine on the ground, drink Wild Turkey instead and operate their legal system in the same manner as The Spanish Inquisition. There's no way that a band of truckers are going to run your town over - nope, this plan is perfect!....they said as the FBI is swarming them and filling each citizen full of hot lead.

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Voyage of the Rock Aliens

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The 80's eats far too much pixi-dust and barfs out the worst of it right into our faces. It's Pia Zedora showing off why a millionaire had to pay for her to act and Craig Scheffer giving poopy face for 90 minutes. If you want to make sure you've seen the worst musical, you can't miss this pile of no talent.

The deal with Voyage of the Rock Aliens is that it's a failed project before it even gets started. Originally it was supposed to be more like UHF instead it's more like Grease 2. You've got Pia Zedora attempting to launch her career by dancing like she's in a blender. On the opposite side of the obligatory love relationship is Craig Scheffer (yes Craig Scheffer from Nightbreed and A River Runs Through It) whose entire thing is to lip-sync over Jermaine Jackson and making poopy-face over and over and over and over again.

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The Peacekeeper

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Dolph grabs onto a couple of nukes and uses them to turn his shirt into a sleeveless job. It's The Rock all over again with better acting, better stunts and better action sequences - and it still stinks. 

We won't dig too much into the plot here because it's legit just The Rock within a missile silo. What we want to talk about is the incredible amount of stinker staples delivered. There's no sploding chopper but there's pretty much everything else. Dolph's 1-liners and overflowing from his cup and they are all A+ cheesy goodness. The amount of stunts and the level of production put into these stunts while wrapped around a really close example of the idiot plot is astounding. The production design is a blend of surprising and terrible. The script is bonkers bad. There's a little here for everyone.

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Steele Justice

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The toughest of the tough guys teams up with a 15-28 year old kid to take down the entire Black Tiger gang using only every gun from the 80's and sweet guitar riffs. No one can touch this guy - mostly because he's covered in sweat and their hands just slip off.

When it comes to butt movies, Steele Justice is possibly the most butt. Imagine every 80's tough guy staple and you've got it here. Epic guitar riff score, training montages, sweaty chest hair, perms, headbands, pastel sweaters, cut-off sleeves, big guns, atrocious dialogue and just being generally butt to everyone around you. Martin Kove has got "it" if "it" is super-butt.

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Love Potion No. 9

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Once again, the 80s/90s rom-com genre falls into that horrible disgusting trap of "if you think about this very much you'll want to wash your eyes out with soap" because very unforgivable things happen to the people around the main characters. Both of the people on the cover belong in jail.

There is a serious warning content-wise here but this needs to be said - Love Potion No. 9 is about 1 thing - rape. It steers very clear of the song where it turns the drinker into a raging boner, this love potion causes anyone of the opposite sex to become a mindless zombie and you can make them do whatever you want. So what do the leads do? Well Paul (Tate Donovan) rapes an entire sorority and Diane (Sandra Bullock) makes the Prince of England propose to her forever changing the landscape of the British Monarchy. Wow, what charming, awesome, quirky people? No! Both belong in prison. 

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Diggstown

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Diggstown delivers the ultimate sleight-of-hand hustle to the viewer, by tricking everyone into thinking this is a great "con-job" movie. Look over here, guys and don't pay attention to the paper-thin plot and how the big con is just betting on unsanctioned boxing.

Let's just get this out of the way - this isn't a TERRIBLE movie, but it's pretty crummy stacked next to how good its telling us it is. The whole thing is a giant ruse. Maybe someone can take that as a sign of how well edited it is, but we can't. Our job is to breakdown stories and judge them and this story is ludicrously empty - it's borderline "idiot plot" except one of the requirements is that just ONE person has to show a sign of intelligence to prevent the whole movie - but even if there was one person who could show such intelligence wouldn't prevent anything BECAUSE NOTHING HAPPENS!

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Pass Thru

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The Breen goes down one of his strangest rabbit holes (which is saying a lot) yet when he plays an AI from the future who has to come to Earth and clean up mankind. Neil is starting to frighten us.

Pass Thru is what happens with a director's typical 4th movie. Neil spends far too much of the film "honing his craft" and using up precious film space so that he can practice how to use camera's. So unfortunately, Pass Thru isn't crammed full of nonsense; where Fateful Findings is 100% bananas, this is about 50%. So the viewer spends a lot of time staring at Breen looking stoic from various angles, which makes for a very boring journey.

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Gas-s-s-s! - or- It Became Necessary to Destroy the World in Order to Save It

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When you cut in some psychedelia in the editing booth, your film isn't psychedelic, you just have a movie pile. Gas-s-s-s! misses the mark by about a mile, unless your goal was to one day have proof that the Baby Boomers were completely up their own asses and should never talk about other generations again.

The setup of the film is an interesting idea with the apocalypse coming and the meek inheriting the Earth - with one major problem, the meek are anyone under 25 and goosed on pot, free love and ego. From there you follow a group of bohemians travelling across Texas to a final destination of Barter Town.

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Men of War

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Sometimes a studio puts too much talent behind a terribly stupid movie. Sometimes there's some subtle social commentary that sneaks into the script and then has the competency behind the camera to accurately capture those topics. Then you have action guys who just like to blow everything up. Welcome to Men of War.

I absolutely adore this movie. It suffers from the Idiot Plot, yet has some level of emotion behind everything it tries to achieve. It's like a mashup of Forrest Gump/Platoon and Deadly Prey. Everything is shot well, the location is fantastic, the dialogue is sharp.... until Dolph gets to deliver some one-liners.

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Bubba Ho-Tep

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Elvis and JFK team up to take down a butt-sucking undead SOB in a nursing home. OR Elvis ends up in a horrible nursing home and struggles to find a reason to keep living. Pick one. You can't have both without muddying up the other. 

While Bubba Ho-Tep should absolutely be praised for accomplishing what it does on only $500,000, it must also be dissed for its non-budget related flaws. Chiefly its duality but also in its production. If you read the back story on this movie, you'll learn that they had a mismatch with the cameras and the level of knowledge on how to run them. So what should have taken 15 days to shoot took 30. That made a lot of stuff in the screenplay that needed to be in film, end up on the floor and a lot of stretching of what was available (which isn't much). This is one of the lowest on content movies we've ever reviewed.

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Dune

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A guy with unrealistically great hair, stands atop a giant earthworm (who isn't even wearing a costume) and uses his Alexa-style hand laser to be less effective in combat than just going and buying a regular laser gun. It's Dune and arguably one of our most controversial choices to lampoon.

Dune is that unique mix of "well, that looked really good" and "this is a really accurate representation of the novels (sorta)" on one side while also being complete nonsensical crap and horribly cheesy effects and acting on the other side. Is it a stinker? Probably. Is it also passionately made art? Probably. Its not only a head-scratcher on how you want to label it, its a head-scratcher within its content.

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Teen Wolf Too

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You didn't ask for it, but you got it. A sequel starring a different guy who finds out he's a werewolf and is good at sports, but this time he's in college! Things are about to get a little wild, right? Sadly no - this college is actually just a junior high school.

Nothing says wild college party like punch and pie mixers, right? Getting fast and loose while the "Dean of Men" chaperones! Yeah, college! This is the nerd's version of college for sure. All these rascally rule breaking college freshman are about as nutty as the girl whose best friend is her mom (so, Jackie?).

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Running Scared

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The greatest question posed by man since 1986 is "what the heck do people see in this pile?" It's like working next to a construction site. Its like a toaster that always burns your bread. Its like a script that tries to make the leads the two most annoying people on the planet and succeeds. Running Scared sucks.

Imagine yourself living in the universe as Gregory Hines and Billy Crystal's characters. Worse yet, imagine having to work with them. They're worse then Lumberg. Each and every Monday would be a compounding hell, when you the entire department is called in for the morning brief and you can't get through it because these two are trying to be funny throughout the whole thing. Keyword - "trying".

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The Lost Empire

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It's got a random gorilla, a laser "unit", eyebrows that change from shot to shot, a trio of tough ladies, possible ninjas and a dubious plot to build the Infinity Gauntlet so you know this must be a Jim Wynorski movie. Bring on the chesty women!

If you've ever seen a Jim Wynorski film, you know of two things to expect: the left boob and the right boob. This one is no different. It's just a silly budget movie with a fairly standard plot (a trio of chesty ladies team-up to destroy an evil plot to take over the world) but that's where the convention ends. Things get pretty loosey goosey with regard to its own script as Jim runs roughshod with his own project. It's glorious.

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Short Circuit

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There's a really good reason that this film disappeared from cable networks and the cultural lexicon. Take an heavy level of racism, add a cavalcade of annoying characters and jokes then sprinkle all that on top of inane plot and you've got yourself a monster bud movie.

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Theodore Rex

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In a futuristic world, an evil billionaire recreates the dinosaurs (making them small, have normal arms, and recovering carnivores) and then hatches a villainous plan to wipe out all life on Earth, creating a utopia of dinos and humans - so just like the current status in the movie. WTF is this POS?

Theodore Rex is insufferable. At no point in its incoherent rambling is a modicum of enjoyment to be had. It's baffling yet it hurts your brain. It's fast-paced, yet nothing is moving the plot forward. It's got incredibly bad production design, but what happens in the foreground is so painful that you can't mind everything in the background. The acting is awful, the costumes are amateur, the "jokes" are "huh"-inducing. Yet all that takes a back seat to how atrocious the screenplay is. This falls into the "we are talking like you, Earth human. All your base are belong to us!" category of writing. 

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