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Vibes

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Cyndi Lauper has psychic powers. Jeff Goldblum is tall and is Jeff Goldblum. Are they a match made in Hollywood for the 80s? Obviously not. Hope you like everyone being at an 11!

So Vibes is part of this weird genre that only really happened in the 80's. The closest the men in ties will call it is a rom-com, but there's a x-factor with this type of 80's flicks. There's always a BS gimmick such as what we have here - psychic powers. These are more of screwball comedies but with a love interest penciled in because "Oh I guess we have to". So the romance is an afterthought which means that its shouldn't even be a rom-com at all since the rom is so far down on the list of priorities in the writing.

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Burlesque

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A mediocre talent finds inspiration in an over-the-hill mentor and in doing so makes a nightclub successful. So Xanadu...right? Actually, it's also Chicago, Moulin Rouge and Coyote Ugly. Thanks Troy from Goonies!

Let's face it, gang. Burlesque is about 30 minutes too long and suffers from the typical drag of poorly thought out projects - there's too many subplots and no main plot. While most of them are just meh, one subplot is insufferable - the romance. What's her name Aquafina falls in love with her (seriously gay) roommate/coworker. And their relationship is like watching paint dry, then become acid and fly into your face. It is intolerably uninteresting until it causes you physical pain.

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I Believe in Santa Claus

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"When the leader of the African rebels starts to interrogate Santa Claus and his fairy friend as CIA spies" is the start of a sentence that someone must say after watching this film. Shortly afterwards it's "then his kids grab some guns to free Santa from the rebels". WTF?

I Believe in Santa Claus (or J'ai rencontrĂ© le Père NoĂ«l in the original French) is a baffling film that turns out is just a vehicle for soundtrack sales that led to a Milli Vanilli situation - so possibly story took a pretty big back seat. Little can be said about it that will do the viewing experience justice. It's absolutely insane AND a Christmas movie. 

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Steel

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He's a blue-collar Batman, that comes loaded with super-strength and a compassionate, pacifistic outlook. Slap on a bunch of not-bulletproof metal armor and give him a hammer/gun and Oracle (from Batman) and you've got Shaq looking pretty doofy.

So it stinks, sure. But we think this film is abused a little too much. It's currently at a 2.8 on IMDB and a 1.4 on Letterboxd. That puts it below Batman & Robin, and Catwoman. It's not even close to that bad. By your standard movie goer rating scale, this is just a 4. By our standards, it's a little higher than that. We make no claim that it's awesome but in no way is as awful as Catwoman. It's just a shitty movie.

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Battleship

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Special Guest - Joe Fulgham (Caustic Soda, The Dreaming, Onlightened) returns after our American Ninja episode and brings his Canadian goodness to the podcast with all his wit! Find Joe and all he does:

You can find more on Joe and his projects at MoteofDust.com and follow him on Twitter @joefulgham

When you are completely out of original ideas and need to have your own extended universe (because the other guy's have one), just take whatever licensed property you have and make a movie about it. Don't worry about whether the movie is a good idea or not, or if people will even care. Just make it. Worry 'bout all that stuff later. 

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Cool as Ice

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Kids, remember that period of time before Nirvana and post The Clash? Well that period was a dark time we like to call "The Ice Age" and Vanilla Ice, the mind-child of men in ties, led the charge against good art. This film is a horrifying reminder of those awful days.

It should be noted that we are not going to pick on Robert Van Winkle (Ice's real name). Any reference to how dumb Vanilla Ice is, will be reference to how stupid the men behind the image of Vanilla Ice were (record producers, MTV execs, publicists, etc.).

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Gymkata

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USA Gold Medal magnet, Kurt Thomas, stars as John Cabot, a USA Gold Medal magnet/super secret agent/diplomat to strange lands. So he solo invades Parmistan, an absolutely insane country, to play "The Game" to get a satellite substation. Well that makes perfect sense!

Gymkata is serious shenanigans. It could be argued that it's the most bonkers movie we've reviewed and definitely the most poorly thought out. While most might focus on the unawesome martial art that combines gymnastics and karate (which puts it in the Streaming Do's and Don'ts realm) the country of Parmistan is our focus. Parmistan is impossible. It can't work. How does diplomacy work? Do they have foreign trade? Is their military only made of ninja or are they more like the secret police? Is there a system of government besides the Khan? I personally believe that someone, probably Pakistan, would have bombed Parmistan back into the Stone Age, but Parmistan never got out of the Stone Age so I guess bomb them back to the times of the dinosaurs (they may also have dinosaurs).

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Prelude to Gymkata

Prelude to Gymkata

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This week on the podcast we gear up for one of the most notorious bad movies ever made and a hallmark of stupidity. When you need to invade a country that doesn't make any sense, send in an Olympic Gold Medalist!

The Wild Card - The Great Superpower Debate

Immunity to negative drug side effects - 7.75 out of 10 stars

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Blood Freak

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This episode of the podcast centers around the classic Thanksgiving film from 1972, Blood Freak. Its that old tale of a man who smokes a little pot, eats an entire turkey and those goes on a tryptophan fueled and murderous rampage by becoming a freaking turkey. Yep. That's it.

Blood Freak is freaking insane and one of the worst movies ever made. The production values are incredibly poor with poor lighting, out of focus shots, terrible set design and horrible acting. It's right in line with films like Eegah!, Monster A Go-Go, The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies, or anything starring Tor Johnson. How this managed to get past the MST3K crew is a mystery deeper than where the hell is Amelia Earhardt.

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Purple Rain

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Last weekend, millions of Prince fans watched the 1984 music film, Purple Rain, in honor of his Royal Highness, the Purple One. The 3 hosts of Stinker Madness joined in and celebrated the incredible talent and brilliance of Prince Rogers Nelson. The world won't be the same without him.

Purple Rain is not a musical, let's just get that out of the way. The songs take place within the world as part of concert performances, NOT the characters singing the narrative of the film. As such, this film becomes one of those hard ones to classify that may end up being in the same genre as Ray, Walk the Line, That Thing You Do and even Metallica's Through the Never, which barely contains any narrative at all. While Purple Rain is one of the finest examples of this genre there is, we will not be judging it against those particular types of movies, but movies as a whole. 

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Prelude to Purple Rain

Prelude to Purple Rain

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Yesterday, the Artist Foreverly Known as Prince left us here on Earth with our dicks in our hands saying, "Well that's it. If Prince can die then there is no hope of me living forever." And now, as tears subside, we celebrate the musical genius by honoring his work in 1984's Purple Rain. Wow, what an honor.

Trigger Alert! Trigger Alert!

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Gone with the Pope

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Duke Mitchell gives us his best Godfather impression and along the way offends all of mankind, sails the Atlantic without problem, nabs the most powerful man on the planet with a pistol, and then finds God? It's one of the most bonkers films ever made and shouldn't be missed.

This film is one of those rare "masterpieces" that come once every few hundred years. When films like Gone with the Pope are released, the stars and planets must all be in line and druids must sacrifice a virgin on top of some rocks. This is incredibly unique. It's two movies mashed into one with one of the least charismatic actors fronting the entire show all while not having a clue on how to make a movie. It's a vanity piece on par with The Room with a screenplay that is written on napkins and roll up hundreds primarily used for snorting coke. What Duke Mitchell put together in 1975 is a trainwreck of catastrophic proportions.

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Prelude to Gone with the Pope

Prelude to Gone with the Pope

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It's time for one of the craziest films ever to be made (sorta). In 1976, Duke Mitchell shot most of the film and then the footage disappeared..until now! We think it's about some mafia guys who kidnap The Pope, yes that Pope. You don't want to miss this one. 

Streaming Do's and Don'ts

Good Neighbor, Bad Neighbor

  • Yor, The Hunter from the Future
  • Bodhi - Point Break (1991)
  • Johnny Rico - Starship Troopers

About Gone with the Pope - Movie Information

Sam's Boring Bullshit

Bob Murawski, who is known for editing the majority of Sam Raimi’s work, and Sage Stallone, who is known for coming out of Sylvester Stallone’s testicles, together founded Grindhouse Releasing. Grindhouse has been called the Criterion of cult films. The story goes that in 1995 Stallone and Murawski found the work print of gone with the pope in Jeff Mitchell’s garage, Jeff being the son of director Duke Mitchell. It would then take 15 years to restore the film. In 2010 the film was finished and given a very limited release. The numbers say that this was released to DVD in 2014 while Mitchell’s other film, Massacre Mafia Style, was released to home video on 2015. This seems to not jive as I watched a copy of Massacre Mafia Style in 2014, possibly even 2013. In more contrast to the listed release dates, the word on the street was that the release of Massacre Mafia Style and subsequent DVD sales funded the Blu-ray mastering of Gone With the Pope. Though he did see the completion of the film, Stallone would die tragically of a heart attack in 2012 several years before it’s wider home release.

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A Star is Born

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Is this the hardest to watch film of all time? The answer is yes. This movie sucks, isn't about anything, and it's 2 and a half hours of the worst person to ever live. We cut this things to ribbons and you'll like what we have to say.

Essentially, the entire movie is about Barbara Streisand's ego. From the very first time you see her, she is hamming it up the entire time and placating to the camera. She's like a teenage girl with a webcam and a hair brush pretending to be a microphone. Its horrendously hard to watch. 

Kris Kristopherson portrays the worst "rock star" in music history. He can't complete a song on stage without walking off, pissing off the audience or really even having more than one song. No one would go to this guy's concert, no matter how awesome his songs might be in theory. He can't complete a song. 

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Flash Gordon

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Let the war for Planet Mongo begin! Its the QB of the New York Jets vs. Max Van Sydow's evil eyebrows, endless robots (are they robots?) and people that bleed oil. This is one bad movie...that rules.

Sam J. Jones from Playgirl and The Dating Game fame takes on the complex and emotionally challenging role of Flash Gordon, a guy who gains super fighting skills when holding things somewhat shaped like footballs. When the evil guy from Planet Mongo makes the weather of the world gets pretty messed up and natural disasters happen such as "Volcano, Volcano Eruption and Hot Hail", Flash Gordon must fall asleep on space rocket, fall in love by holding hands, and then wander around a few planet/moons/asteroids until he can unite the tribes of Mongo in order to stop Emperor Ming.

This film is really really really bad. It's fun, I'll disclaim, but it truly is a giant train wreck. It's made on the scale of a Cecil B. DeMille movie but looks about as good as a Roger Corman film. It's ridiculous. The set pieces are giant, the costumes are lavish and the visual effects are outlandish. But each piece is super super super dumb.

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Prelude to Flash Gordon

Prelude to Flash Gordon












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Presented by The 1980 Hawkman Rocket Cycle. Never fly blind through victory again!

Jackie gets us ready for one of the most popular bad movies of all time as Sam J Jones hits us in the face with his metaphorical football. Get pumped for Freddie Mercury (God rest his soul) and the rest of Queen, Max Von Sydow, Timothy Dalton, and sweeeeeettt costumes! Flash! AAAAWWWWW.

Streaming Do's and Don'ts

Movie NameSummaryIMDBNetflixAmazonJustinJackieSamTotal

After Midnight

Horror anthology about a college professor (Zada) teaching a course called "The Psychology of Fear". He brings his students (including psychic McWhirter) to his home, one dark and stormy night to tell scary stories. The first involves a young couple whose car breaks down by an old, abandoned house. The second has four trendy teenage girls getting lost in a bad part of town, and chased by a pack of vicious dogs. Last, we have Helgenberger confronting a stalker at the answering service where she works the night shift.

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Never Too Young to Die

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What happens if you turn a gymnast into an action hero, a trashy whore into super spy, James Bond into a Ben-Gay ad, and Gene Simmons into a lady-boy? Why you get this DTV gem of a movie, duh! Uncle Jesse saves the world from dirty water and Gene Simmons gives us a "too believable" performance. YEEEEAHH!

So John Stamos plays Lance Stargrove, a gymnastic champ who's father is a top secret agent (played by George Lazenby). When Lance's father dies preventing a group of hooligans from doing something unknown, Stargrove must take over the family business and stop Velvet Von Ragner (Gene Simmons), a transgender sociopath with dreams of world domination (we guess). Stargrove is helped out by Danja (Vanity) and his tech buddy Cliff (Peter Kwong).

Some bad movies have a great beginning and a great ending but the middle is dry and dull. This is often due to lack of a budget or lack of imagination in the writing. Never Too Young to Die is not one of those films. This thing comes in hot and never cools down with scene after scene of shenanigans that you look for in a classic stinker. From the unforgettable theme song (entitled Stargrove, naturally) to the climatic and preposterous battle on top of a dam between Stargrove and Von Ragner, this one is solid gold.

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Prelude to Never Too Young to Die

Prelude to Never Too Young to Die












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Presented by Vanity Off. For when you really just need Vanity to go back to Prince.

This episode John Stamos' hair gets the spot light (and the mousse) as we get ready for a gem of a turd in Never Too Young to Die with Stamos, Vanity (again), and George Lazenby and Gene Simmons (calling Dr. Love?). Sam brings us this direct-to-video movie that Jackie nor Justin has ever heard of.

We start out talking about Vanity and what she's done other than Action Jackson and Never Too Young to Die.  Apparently, she's in 52 Pickup which Sam calls "the most underrated movie, ever" However, Vanity doesn't really participate much in 52 Pickup so that doesn't really count. 2/3 Stinker Madness hosts think she's gross but Sam is all about Vanity's charm and looks.

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Freejack

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We take a look into the future where Mick Jagger gets to be an action star, no one ages, and that fava-beans and chianti guy gets paid his day rate. Emilio Estevez stars as Alex Furlong, a race car driver that gets exploded into the future so that he can get "bone-jacked" for a rich man's immortality....we think. The future doesn't make a whole lot of sense to us humble 2014 people.

Emilio and Jagger are really quite bad actors in this film. They both are terrible but in completely opposite ways. Jagger is thoroughly wooden and puts little to no effort into his role. While Estevez does his best Jim Carrey and overacts each scene. He's like that desperate person at the end of the bar at midnight that tries way too hard to be your friend. This duo play enemies so the opposing acting makes up for some fun unintentional comedic chemistry.

There's some pretty weird things in the future as well. Everybody shoots at each other yet cities seem to be fairly pleasant aside from the flying bullets. Time and space do not have properties in people's dwellings as most apartments in the film have secret rooms and doors that can't physically exist in the building space, at least in the world that we understand. Toss in Alex and Julie Redlund's (played by Rene Russo) relationship with their literal on-screen butt kissing and quite unrealistic dialogue, you've got a story world that involves a lot of head scratching for the viewer.

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